Artworks

  • 1960s black & white photograph of a family (mother, father, six children) in a photography studio
    Lazhar Mansouri, Untitled, circa 1960s
  • Black and white photograph of a man examining a sample registration form in Frank Robinson’s office in Sumter, South Carolina
    Bob Adelman, A candidate studies the practice form for a voter registration test, Sumter, South Carolina, c. 1962 (printed 2007)
  • Four-sided shaped arcylic painting divided into rectangular parcels of muted yellows, greens, blues, and purples with a faint grid overlaid
    Will Insley, Wall Fragment 89.5, 1989
  • Black and white photograph of Geraldine Chaplin practicing a scene reading a letter on the set of “Doctor Zhivago”
    Hatami, Geraldine Chaplin practicing a scene during which she received a letter from Yuri Zhivago on the set of “Doctor Zhivago” in Finland, 1965
  • Gouache painting of a of two quadrilateral shapes with different angles, one blue and one yellow, on graphite paper
    Charles Hinman, Study for Blue Yellow Prism, 1965
  • Black and white photograph of close-up of James Dean in a black sweater looking downward at the camera
    Roy Schatt, James Dean, 1954
  • 1960s black & white photograph of a mother with three children, in a photography studio
    Lazhar Mansouri, Untitled, circa 1960s
  • Six-sided shaped acrylic painting divided into rectangular parcels of muted yellows, greens, blues, and purples with a faint grid overlaid
    Will Insley, Wall Fragment 89.4, 1989
  • Black and white close up photograph of Geraldine Chaplin on the set of “Doctor Zhivago” looking down and to the right
    Hatami, Geraldine Chaplin on the set of “Doctor Zhivago”, 1965
  • Gouache painting of a yellow square and pink triangle sitting on the square’s right edge.
    Charles Hinman, Study for Yellow Red Prism, 1965
  • Black and white photograph of an older African American man having a button affixed to his lapel after registering to vote
    Bob Adelman, A successfully registered voter is awarded with his button, Sumter, South Carolina, 1962 (printed 2007)
  • Acrylic on ragboard of quatrefoil shape in red, orange, blue, and white against a black background
    Will Insley, Structural Model #02, early 1960s
  • 1960s black and white photograph of two adult men standing in suits with two young boys in front of them, one wearing a police uniform
    Lazhar Mansouri, Untitled, circa 1960s
  • Tridimensional painting of an orange square with a triangular opening at the top. In the opening there is a white triangle, a smaller lime green triangle, and a violet prism protruding out
    Charles Hinman, Hester, 2008
  • Black and white photograph of Geraldine Chaplin in the role of Tonya, wearing a long white wedding dress, preparing for a scene set up pre-Russian Revolution, on the set of “Doctor Zhivago”
    Hatami, Geraldine Chaplin in the role of Tonya, preparing for a scene set up pre-Russian Revolution, on the set of “Doctor Zhivago” in Finland, 1965
  • Black and white photograph of a vigil where participants hold posters with images of slain civil rights workers Schwerner, Chaney, and Goodman in Atlantic City, New Jersey
    Bob Adelman, All-night vigil at the 1964 Democratic National Convention, Atlantic City, New Jersey, 1964 (printed 2007)
  • Acrylic on ragboard of quatrefoil shape in bright red, and dark grey against a black background
    Will Insley, Structural Model #01, early 1960s
  • 160s black and white photograph of two young women standing facing each other but looking at the camera
    Lazhar Mansouri, Untitled, circa 1960s
  • Tridimensional painting of a pink square with a blue prism at the center. Underneath the prism the pink canvas has a rectangular opening with a white background underneath, suggesting that the prism tore open the canvas
    Charles Hinman, Eldridge, 2008
  • Black and white photograph of Geraldine Chaplin in a scene depicting the Soviet Union, a war torn landscape with charred buildings and rumble, on the set of “Doctor Zhivago”
    Hatami, Geraldine Chaplin in a scene depicting the Soviet Union, on the set of “Doctor Zhivago” in Finland, 1965
  • Black and white photograph of Martin Luther King in front of a large cross, speaking at the 16th street Baptist Church in Birmingham, Alabama
    Bob Adelman, At the 16th Street Baptist Church, Birmingham, Alabama, 1963 (printed 2007)
  • Acrylic on ragboard of quatrefoil shape in bright yellow, red, and burgundy against a black background
    Will Insley, Structural Model #05, early 1960s
  • 1960s black and white photograph of four men in a row holding each other's arms and looking out to the left
    Lazhar Mansouri, Untitled, circa 1960s
  • Tridimensional painting of a red square shape that has a half trapeze opening at the bottom. A green shape comes out from the bottom left hand corner and an orange prism sits on top of the green shape and the red canvas.
    Charles Hinman, Broome, 2008
  • Black and white photograph of Geraldine Chaplin as Tonya wearing a large black coat with soviet propaganda posters behind her, on the set of “Doctor Zhivago”
    Hatami, Geraldine Chaplin as Tonya on the set of “Doctor Zhivago” (Soviet propaganda images in the background), 1965
  • Black and white photograph of protesters in Kelly Ingram Park in Birmingham, Alabama being sprayed with fire hoses
    Bob Adelman, Beloved community. Kelly Ingram Park, Birmingham, Alabama, 1963 (printed 2007)
  • Acrylic on ragboard of geometric swirl shape in bright grey, red, and burgundy against a black background
    Will Insley, Structural Model #08, early 1960s
  • 1960s black and white photograph of four young men wearing western attire, two men sitting on the floor with their arms wrapped around each other and two men standing
    Lazhar Mansouri, Untitled, circa 1960s
  • Tridimensional painting of a pink square with a blue prism at the center. Underneath the prism the pink canvas has a rectangular opening with a white background underneath, suggesting that the prism tore open the canvas
    Charles Hinman, Elizabeth, 2008
  • Black and white photograph Geraldine Chaplin smiling at Ralph Richardson while holding a script, practicing a scene, on the set of “Doctor Zhivago”
    Hatami, Geraldine Chaplin and Ralph Richardson practicing a scene, on the set of “Doctor Zhivago”, 1965
  • Black and white photograph of a young boy, mostly obscured by the architecture of the stoop he sits on
    Bob Adelman, Boy in a box, Brooklyn, New York City, 1964 (printed 2007)
  • 1960s black and white photograph of four men standing in a row but all of different ages, with the leftmost being the oldest and the rightmost the youngest
    Lazhar Mansouri, Untitled, circa 1960s
  • Black and white photograph of five well dressed boys standing in a row in front of a store
    Bob Adelman, Boys to men, Easter Sunday. Harlem, New York City, c. 1979 (printed 2007)
  • Black and white photograph of Geraldine Chaplin and director David Lean sitting at a desk and reviewing the script, on the set of “Doctor Zhivago”
    Hatami, Geraldine Chaplin and Omar Sharif in a scene where they are leaving Moscow for Varykino, on the set of “Doctor Zhivago” in Finland, 1965
  • Acrylic painting on paper of a geometric shape resembling a flower comprised of abstract patterns in muted reds, yellows, greens, and purples
    Will Insley, Maquette 014, 1962-63
  • 1960s black and white of three men with their arms wrapped around each other, all wearing a white button up shirt tucked into black pants
    Lazhar Mansouri, Untitled, circa 1960s
  • Acrylic painting on paper of a symmetrical shape comprised of abstract patterns in muted reds, yellows, greens, and purples
    Will Insley, Maquette 019, 1962-63
  • Black and white photograph of a white protester in front of the White House holding signs with hate speech
    Bob Adelman, Hate Speech, the White House. Washington, D.C., 1962 (printed 2007)
  • 1960s black and white photograph of a woman looking out to the left in profile and a man standing and looking directly at the camera
    Lazhar Mansouri, Untitled, circa 1960s
  • Black and white photograph of Martin Luther King and his wife Coretta Scott leading marchers on Jefferson Davis Highway to Montgomery, Alabama
    Bob Adelman, King and his wife Coretta lead the marchers on Jefferson Davis Highway to Montgomery, Alabama, 1965 (printed 2007)
  • Black and white photograph of Geraldine Chaplin as Tonya wearing a large black coat with soviet propaganda posters behind her, on the set of “Doctor Zhivago”
    Hatami, Geraldine Chaplin and director David Lean reviewing the script, on the set of “Doctor Zhivago” in Finland, 1965
  • Acrylic painting on paper of a shape resembling a square with rounded corners comprised of abstract patterns in muted reds, yellows, and purples
    Will Insley, Maquette 013, 1963
  • 1960s black and white photograph of a man and a woman standing with their arms behind them and looking at the camera
    Lazhar Mansouri, Untitled, circa 1960s
  • Black and white photograph of Martin Luther King leading the singing of We Shall Overcome after eulogizing a slain civil rights crusader, the Reverend James Reeb, at Brown Chapel in Selma, Alabama
    Bob Adelman, King leads the singing of "We Shall Overcome," Selma, Alabama, 1965 (printed 2007)
  • Black and white photograph of the Varykino estate,a large building with icicles and horses surrounding the estate, on the set of “Doctor Zhivago
    Hatami, Scene where Lara and Yuri arrive at the Varykino estate, on the set of “Doctor Zhivago” in Finland, 1965
  • Acrylic painting on paper of a shape resembling a flower comprised of abstract patterns in muted reds, yellows, greens, and purples
    Will Insley, Maquette 018, 1962-63
  • 1960s black and white photograph of a man standing in a suit jacket and black pants wearing a white head scarf
    Lazhar Mansouri, Untitled, circa 1960s
  • Black and white photograph of Ralph Bunche and the Kings with arms linked, parading down Montgomery’s main street in a victory march beginning in downtown Montgomery towards the state capitol
    Bob Adelman, Leading 25,000 marchers, King enters the downtown, Montgomery, Alabama, 1965 (printed 2007)
  • Black and white photograph of Omar Sharif wearing a large fur hat on the set of “Doctor Zhivago”
    Hatami, Omar Sharif in a winter scene which takes place in the Ural Mountains, on the set of “Doctor Zhivago” in Finland, 1965
  • 1960s black and white photograph of a woman standing in a black embroidered dress with her hair loose
    Lazhar Mansouri, Untitled, circa 1960s
  • Black and white photograph of Betty Shabazz, the widow of Malcolm X, in profile wearing a black headscarf and sunglasses with a streak of tears running down her cheek
    Bob Adelman, Malcolm X's Widow, Betty Shabazz. Harlem, New York City, 1965 (printed 2007)
  • Black and white photograph of Omar Sharif wearing a plaid shirt and leaning against a wooden beam, in between takes of “Doctor Zhivago”
    Hatami, Omar Sharif between takes on the set in Finland where parts of “Doctor Zhivago” were filmed, 1965
  • 1960s black and white photograph of a couple standing with their arms wrapped around each other in a photography studio
    Lazhar Mansouri, Untitled, circa 1960s
  • Black and white photograph of Omar Sharif and Geraldine Chaplin, sitting and smiling at the camera, taking a break on the set of “Doctor Zhivago.”
    Hatami, Omar Sharif and Geraldine Chaplin taking a break on the set in Finland, where parts of “Doctor Zhivago” were filmed, 1965
  • Black and white photograph of civil rights leader Malcolm X speaking at a demonstration in Brooklyn while holding a pamphlet reading, "To Unite!"
    Bob Adelman, Malcom X at a civil rights demonstration, Brooklyn, New York City, 1963 (printed 2007)
  • 1960s black and white photograph of two women with long hair sitting and looking directly at the camera
    Lazhar Mansouri, Untitled, circa 1960s
  • Black and white close-up photograph of author Ralph Ellison
    Bob Adelman, Master of them that know: Ralph Ellison, Harlem, New York City, c. 1968 (printed 2007)
  • Hatami, Lara (Julie Christie) and Yuri (Omar Sharif), on the set of “Doctor Zhivago”, 1965
    Hatami, Lara (Julie Christie) and Yuri (Omar Sharif), on the set of “Doctor Zhivago”, 1965
  • 1960s black and white photograph of a young couple sitting and kissing while holding hands. The man is in a suit and the woman is wearing a white dress
    Lazhar Mansouri, Untitled, circa 1960s
  • Black and white photograph of a woman, Mrs. Pettway, in her kitchen with walls covered in newspapers featuring Martin Luther King in Canton Bend, Alabama
    Bob Adelman, Mrs. Pettway, Canton Bend, Alabama, 1966 (printed 2007)
  • Black and white photograph of Julie Christie and Omar Sharif both in all fur winter outfits, Sharif holding Christie’s shoulders, outside on the set of “Doctor Zhivago”
    Hatami, Julie Christie and Omar Sharif in a scene where Lara must depart, on the set of “Doctor Zhivago” in Finland, 1965
  • 1960s black and white photograph of four policemen in a row standing
    Lazhar Mansouri, Untitled, circa 1960s
  • Black and white photograph of William A. Fraker, Roman Polanski and Mia Farrow looking at them in the background, New York City, on the set of “Rosemary's Baby”
    Hatami, William A. Fraker (director of photography), Roman Polanski and Mia Farrow, New York City, on the set of “Rosemary's Baby”, 1968
  • Black and white photograph of woman picketer under arrest in a police van behind Loveman's department store in Birmingham, Alabama after protesting unfair hiring practices
    Bob Adelman, Picketer under arrest behind Loveman's department store, Birmingham, Alabama, 1963
  • 1960s black and white photograph of four men standing holding each other's arms wearing suit jackets and looking out and to the left
    Lazhar Mansouri, Untitled, circa 1960s
  • Black and white photograph of three boys posing on a Queens street with baseball gear in New York
    Bob Adelman, Play ball, St. Albans neighborhood, Queens, New York City, c. 1968 (printed 2007)
  • Black and white photograph of William A. Fraker wearing large black round sunglasses and laughing, with Roman Polanski looking at him in the background, New York City, on the set of “Rosemary's Baby”
    Hatami, William A. Fraker (director of Photography) and Roman Polanski, New York City, on the set of “Rosemary's Baby”, 1968
  • 1960s black and white photograph of four men standing in a row looking out and to the left
    Lazhar Mansouri, Untitled, circa 1960s
  • Black and white photograph of Prince Arnold standing in front of a courthouse wearing a jacket, vest, and sheriff's badge
    Bob Adelman, Prince Arnold, the first black sheriff elected under the Voting Rights Act, stands in front of the courthouse, Wilcox County, AL, 1980 (printed 2007)
  • Black and white photograph of Roman Polanski, Mia Farrow, John Cassavetes and crew in front of The Dakota building,with large apartment buildings in the background in New York City, on the set of “Rosemary's Baby”
    Hatami, Roman Polanski, Mia Farrow, John Cassavetes and crew in front of The Dakota building, New York City, on the set of “Rosemary's Baby”, 1968
  • 1960s black and white photograph of a woman sitting down and holding two babies in her arms
    Lazhar Mansouri, Untitled, circa 1960s
  • Black and white close up photograph of Roman Polanski visualizing a shot, New York City, on the set of “Rosemary's Baby”
    Hatami, Roman Polanski visualizing a shot, New York City, on the set of “Rosemary's Baby”, 1968
  • Black and white photograph of a protesting woman kneeling on a handkerchief on the ground surrounded by workers and police officers in Brooklyn, New York
    Bob Adelman, Protestors put their lives on the line, closing down a construction site at the Downstate Medical Center, Brooklyn, New York City, 1963 (printed 2007)
  • 1960s black and white photograph of a woman standing wearing an embroidered dress holding a baby in her arms
    Lazhar Mansouri, Untitled, circa 1960s
  • Black and white photograph of Roman Polanski taking a break between takes,holding two fingers to the camera and smirking, on the set of “Rosemary's Baby”
    Hatami, Roman Polanski taking a break between takes, on the set of “Rosemary's Baby”, 1968
  • Black and white photograph of Reverend Ralph Abernathy and National Urban League Director Whitney Young Jr and Martin Luther King pledge allegiance at the ceremony at the Lincoln Memorial, Washington, D.C.
    Bob Adelman, Reverend Ralph Abernathy and National Urban League Director Whitney Young Jr join King to pledge allegiance at the ceremony at the Lincoln Memorial, Washington, D.C., 1963 (printed 2007)
  • 1960s black and white photograph of a woman in an embroidered dress standing up and holding a young boy in her arms
    Lazhar Mansouri, Untitled, circa 1960s
  • Black and white photograph of Roman Polanski reviewing the script with Mia Farrow and William A. Fraker in the background, outside in New York City, on the set of “Rosemary's Baby”
    Hatami, Roman Polanski reviewing the script with Mia Farrow and William A. Fraker (director of Photography) in the background, New York City, on the set of “Rosemary's Baby”, 1968
  • Black and white photograph of Rosa Parks seated as an honored guest at the March on Washington
    Bob Adelman, Rosa Parks, an honored guest at the march, Washington, D.C., 1963 (printed 2007)
  • 1960s black and white photograph of an woman standing in a white dress and black cape with a young child in her left arm
    Lazhar Mansouri, Untitled, circa 1960s
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