Artworks

Black & white photograph of four children in the back of a car, three white, one African-American

Bob Adelman, On main street, East Feliciana Parish, Louisiana, 1963 (printed 2007)

Tridimensional painting of a white prism a yellow side shadow

Charles Hinman, Emerald, 2010

Black and white photograph of Jacqueline Bissett outside talking to a group of schoolgirls, on the set of “Bullitt”

Hatami, Jacqueline Bissett talking to a group of schoolgirls, on the set of “Bullitt”, 1968

Black and white photograph of Jackie Kennedy in a nursery room motioning to a teddy bear on the floor in front of a young Caroline Kennedy, who looks down at the bear and is wearing a white dress

Jacques Lowe, Jacqueline Kennedy and Caroline, The Nursery, Hyannis, MA, Summer, 1961

Black and white photograph of James Dean in a three-quarters view looking out the window with a cigarette in his mouth

Roy Schatt, James Dean in window with cigarette, ABC Studios, New York City, 1954

Black & white photograph of African-American men and women holding each other while hosed down with water under pressure

Bob Adelman, No man is an island. Kelly Ingram Park, Birmingham, Alabama, 1963

Tridimensional painting of a yellow, beige & white prism with triangular sides, looking like a cut gem

Charles Hinman, Chrysoprase, 2012

Hatami, Robert Vaughn, Steve McQueen and director Peter Yates setting up a shot, on the set of “Bullitt”, 1968

Black and white photograph of Jackie Kennedy looking at a young Caroline as she paints using an easel inside a room with patterned wallpaper

Jacques Lowe, Jacqueline Kennedy painting with Caroline, Hyannis Port, MA, September, 1960

Black and white photograph of James Dean in the street facing the camera and looking out of the corners of his eyes

Roy Schatt, James Dean in the street, 1954

White acrylic painting on an irregularly-shaped masonite board with thin, overlaid black grid lines and thicker stright black lines and one yellow line in an erratic pattern

Will Insley, Wall Fragment No. 93.11, 1993

Black & white photograph of crowd in Washington DC in front of the the Washington Monument carrying signs, We March, We Demand

Bob Adelman, Marchers en route to the Lincoln Memorial, Washington, D.C., 1963 (printed 2007)

tridimensional painting on shaped canvas with facets resembling a gem

Charles Hinman, Labradorite, 2012

Black and white photograph of Don Gordon standing and Steve McQueen with his arms crossed on the set of “Bullitt”

Hatami, Don Gordon and Steve McQueen on the set of “Bullitt”, 1968

Black and white photograph of Jackie pushing John F Kennedy in a small boat in the water at a Hyannis Port beach

Jacques Lowe, Jacqueline and John F. Kennedy, Hyannis Port, MA, August, 1960

Black and white photograph of James Dean and another figure, both shirtless, working with a lamp in a backyard setting

Roy Schatt, James Dean in the backyard of Roy Schatt’s 33rd Street apartment / studio, 1954

Irregularly-shaped white acrylic painting on a masonite board with overlaid black and red grid lines and erratic straight lines

Will Insley, Wall Fragment No. 03.2, 2003

Black & white photograph of African-American woman arrested by two white cops with helmets

Bob Adelman, Innocent bystander arrested, Birmingham, Alabama, 1963 (printed 2007)

Tridimensional painting of a black and dark gray sides rhomboid prism with parallelogram sides

Charles Hinman, Jet, 2012

Black and white photograph of Jacqueline Bissett and director Peter Yates speaking during a lunch break, on the set of “Bullitt”

Hatami, Jacqueline Bissett and director Peter Yates during a lunch break, on the set of “Bullitt”, 1968

Jacques Lowe, Jacqueline and John F. Kennedy, Hyannis Port, MA, August, 1960

Black and white photograph of James Dean sitting by a window holding a book in an apartment setting

Roy Schatt, James Dean in his apartment, New York City, 1954

White acrylic painting on an irregularly-shaped masonite board with thin, overlaid black grid lines and thicker stright black lines in an erratic pattern

Will Insley, Hinge Space Wall Fragment 93.12, 1993

Black & white photograph of Martin Luther King Jr. wearing a black suit and tie, white shirt

Bob Adelman, Eyes on the prize: King in a quiet moment during the march to Montgomery, Alabama, 1965 (printed 2007)

Tridimensional painting of a black prism with triangular sides, looking like a cut gem

Charles Hinman, Black Diamond, 2012

Black and white photograph of Jacqueline Bissett running alongside a packed tram on the street, on the set of “Bullitt”

Hatami, Jacqueline Bissett during the filming of the tram scene from “Bullitt”, 1968

Black and white photograph of Jackie and John F Kennedy holding baby Caroline Kennedy who is putting her mother's pearls in her mouth

Jacques Lowe, Jacqueline, John F. Kennedy, and Caroline, Hyannis Port, MA, Summer, 1958

Black and white photograph of James Dean sitting sideways in an armchair with his feet on the armrest at ABC Studios

Roy Schatt, James Dean at ABC Studios, New York City, 1954

Five-sided black acrylic painting on a masonite board with overlaid white grid lines

Will Insley, Wall Fragment No. 98.1, 1998

Black & white photograph of African-American boy at a school desk, with framed photograph of Abraham Lincoln in the background

Bob Adelman, Classroom, New York City, 1963 (printed 2007)

Charles Hinman, Sardonyx, 2013

Black and white photograph of Steve McQueen and Jacqueline Bissett sitting down and speaking while Mcqueen makes a sandwich at lunch , on the set of “Bullitt”

Hatami, Steve McQueen and Jacqueline Bissett conversing at lunch, on the set of “Bullitt", 1968

Black and white photograph of Jackie, John, and Caroline Kennedy posing against a white background for a Christmas card

Jacques Lowe, Jacqueline, John F. Kennedy, and Caroline, The 1960 Christmas Card, Hyannis Port, MA, August, 1960

Black and white photograph of James Dean smiling in a black pea coat and propping one leg up on a stoop railing in front of a poster reading, "Loft to let"

Roy Schatt, James Dean, 1954

Black & white photograph of African-American’s hands circling candidates on the 1966 ballot of Wilcox County, Alabama

Bob Adelman, One of the first African American voters to cast a vote under the new law, Camden, Alabama, 1966 (printed 2007)

Tridimensional painting of stacked parallelepipeds in black, blue, beige, and white

Charles Hinman, Dayo, 2014

Black and white photograph of Steve McQueen talking to three extras dressed in police costumes, standing outside on the set of “Bullitt”

Hatami, Steve McQueen between takes with police extras, on the set of “Bullitt”, 1968

Jacques Lowe, Jacqueline Kennedy and Caroline, Hyannis Port, MA, Summer, 1961

Black and white photograph of James Dean in a dark setting looking through a woven curtain which is casting a patterned shadow on his face

Roy Schatt, James Dean, 1954

Four-sided shaped arcylic painting divided into rectangular parcels of dark grey-brown with an overlaid grid, teal, orange, burgundy, yellow, and gray

Will Insley, Wall Fragment No. 91.1, 1991

Black & white photograph of African-American man carrying a sign reading “Now”

Bob Adelman, Participants in the 1963 March on Washington, D.C., 1963 (printed 2007)

Tridimensional painting of 4 connected prisms with a triangle tops in black, orange, lavender, and white

Charles Hinman, Nightfall, 2014

Black and white photograph of Steve Mcqueen talking with actors dressed as nurses and doctors, with an extra in a stretcher, in between takes on the set of “Bullitt”

Hatami, Steve McQueen with actors in between takes on the set of “Bullitt”, 1968

Color photograph from a high vantage point of John F Kennedy standing on a lawn while Jackie, Caroline, and a dog walk away from him

Jacques Lowe, Jacqueline, John F. Kennedy, and Caroline, Hyannis Port, MA, Summer, 1960

Roy Schatt, James Dean, 1954

Black & white photograph of a white cop carrying an African-American woman holding a sign reading “Racial Equality”

Bob Adelman, Passive Resister, 1964 (printed 2007)

Tridimensional painting of interconnected parallelepipeds in black, red, yellow, and white

Charles Hinman, Dusk to Dawn, 2014

Black and white photograph of Steve McQueen reading a script with sunglasses on next to with director Peter Yates, with a man sitting and smoking a cigarette to Mcqueen’s right, in between takes on the set of “Bullitt”

Hatami, Steve McQueen with director Peter Yates in between takes on the set of “Bullitt”, 1968

Color photograph of a young Caroline on the lap of her mother, Jackie Kennedy as they both turn their heads to face the camera

Jacques Lowe, Jacqueline Kennedy and Caroline, Hyannis Port, MA, Summer, 1961

Black and white portrait photograph of James Dean with a sideways glance from a slightly lower vantage point

Roy Schatt, James Dean, 1954

Black & white photograph of four African-American children in front of a blackboard with the words, Freedom Is Near

Bob Adelman, Writing on the wall, Alberta, Alabama, 1965 (printed 2007)

Tridimensional painting of interconnected parallelepipeds in black, red, orange, and white

Charles Hinman, Daylight, 2015

Black and white photograph of Steve McQueen, Peter Yates and crew sitting down outside speaking to each other, discussing the next scene, on the set of “Bullitt”

Hatami, Steve McQueen, Peter Yates and crew discussing the next scene, on the set of “Bullitt”, 1968

Color photograph of Jackie Kennedy in a yellow gingham dress sitting on a cushioned lawn chair in front of a white house

Jacques Lowe, Jacqueline Kennedy, Hyannis Port, MA, Summer, 1960

Black and white portrait photograph of James Dean tugging at the collar of his black sweater

Roy Schatt, James Dean, 1954

Five-sided shaped arcylic painting divided into rectangular parcels of muted yellows, greens, blues, and purples with a faint grid overlaid

Will Insley, Wall Fragment No. 88.1, 1988

Black & white photograph of Martin Luther King Jr. speaking, right hand raised, people behind him visible

Bob Adelman, The Dreamer Dreams, Washington, D.C., 1963

Print of two interconnected rectangular prisms, blue and white, on pink background

Charles Hinman, Gray on Lavender, 1974

Black and white photograph of Director David Lean standing on a staircase, preparing a scene with Geraldine Chaplin behind him, on the set of “Doctor Zhivago.”

Hatami, Director David Lean preparing a scene on the set of “Doctor Zhivago.” In the background is Geraldine Chaplin, 1965

Color photograph of Jackie and John F Kennedy holding the hands of young Caroline Kennedy on a lawn in Hyannis port, Massachusetts

Jacques Lowe, Jacqueline, John F. Kennedy, and Caroline, Hyannis Port, MA, Summer, 1960

Black and white portrait photograph of James Dean with a sideways glance in a black sweater

Roy Schatt, James Dean, 1954

An eight-sided rectangular shape is divided into rectangular parcels of muted pink, blue, green, orange, and yellow acrylic

Will Insley, Wall Fragment No. 87.5, 1987

Black & white photograph of African-American woman carrying a sandwich board with the word “Freedom”

Bob Adelman, Signifying Photograph, c. 1968 (printed 2007)

Print of two interconnected rectangular prisms, light green and white, on burgundy background

Charles Hinman, Green on Burgundy, 1974

Black and white photograph of Geraldine Chaplin posing towards the camera wearing an all black winter outfit, preparing for a scene in the harsh tundra

Hatami, Geraldine Chaplin preparing for a scene in the harsh tundra, in Russia, on the set of “Doctor Zhivago” in Finland, 1965

Black and white portrait photograph of James Dean in a black sweater in which half of his face is illuminated and the other half is in shadow

Roy Schatt, James Dean, 1954

Quadrilateral shaped arcylic painting divided into irregular rectangular parcels of muted yellows, greens, blue, and purple with an overlaid orange coordinate plane

Will Insley, Wall Fragment No. 86.1, 1984

Black and white photograph of a man examining a sample registration form in Frank Robinson’s office in Sumter, South Carolina

Bob Adelman, A candidate studies the practice form for a voter registration test, Sumter, South Carolina, c. 1962 (printed 2007)

Print of two interconnected rectangular prisms, pink and white, on beige background

Charles Hinman, Lavender on Tan, 1974

Black and white photograph of Geraldine Chaplin practicing a scene reading a letter on the set of “Doctor Zhivago”

Hatami, Geraldine Chaplin practicing a scene during which she received a letter from Yuri Zhivago on the set of “Doctor Zhivago” in Finland, 1965

Black and white photograph of close-up of James Dean in a black sweater looking downward at the camera

Roy Schatt, James Dean, 1954

Four-sided shaped arcylic painting divided into rectangular parcels of muted yellows, greens, blues, and purples with a faint grid overlaid

Will Insley, Wall Fragment 89.5, 1989

Bob Adelman, A successfully registered voter is awarded with his button, Sumter, South Carolina, 1962 (printed 2007)

Print of two interconnected rectangular prisms, yellow and white, on light blue background

Charles Hinman, Lemon Yellow on Gray, 1974

Black and white close up photograph of Geraldine Chaplin on the set of “Doctor Zhivago” looking down and to the right

Hatami, Geraldine Chaplin on the set of “Doctor Zhivago”, 1965

Six-sided shaped acrylic painting divided into rectangular parcels of muted yellows, greens, blues, and purples with a faint grid overlaid

Will Insley, Wall Fragment 89.4, 1989

Black and white photograph of a vigil where participants hold posters with images of slain civil rights workers Schwerner, Chaney, and Goodman in Atlantic City, New Jersey

Bob Adelman, All-night vigil at the 1964 Democratic National Convention, Atlantic City, New Jersey, 1964 (printed 2007)

Print of two interconnected rectangular prisms, pink and white, on orange background

Charles Hinman, Pink on Orange, 1974

Black and white photograph of Geraldine Chaplin in the role of Tonya, wearing a long white wedding dress, preparing for a scene set up pre-Russian Revolution, on the set of “Doctor Zhivago”

Hatami, Geraldine Chaplin in the role of Tonya, preparing for a scene set up pre-Russian Revolution, on the set of “Doctor Zhivago” in Finland, 1965

Acrylic on ragboard of quatrefoil shape in red, orange, blue, and white against a black background

Will Insley, Structural Model #02, circa 1950s