Artworks

  • Black & white photograph of four children in the back of a car, three white, one African-American
    Bob Adelman, On main street, East Feliciana Parish, Louisiana, 1963 (printed 2007)
  • Tridimensional painting of a white prism a yellow side shadow
    Charles Hinman, Emerald, 2010
  • Black and white photograph of Jacqueline Bissett outside talking to a group of schoolgirls, on the set of “Bullitt”
    Hatami, Jacqueline Bissett talking to a group of schoolgirls, on the set of “Bullitt”, 1968
  • Black and white photograph of Jackie Kennedy in a nursery room motioning to a teddy bear on the floor in front of a young Caroline Kennedy, who looks down at the bear and is wearing a white dress
    Jacques Lowe, Jacqueline Kennedy and Caroline, The Nursery, Hyannis, MA, Summer, 1961
  • Black and white photograph of James Dean in a three-quarters view looking out the window with a cigarette in his mouth
    Roy Schatt, James Dean in window with cigarette, ABC Studios, New York City, 1954
  • Black & white photograph of African-American men and women holding each other while hosed down with water under pressure
    Bob Adelman, No man is an island. Kelly Ingram Park, Birmingham, Alabama, 1963
  • Tridimensional painting of a yellow, beige & white prism with triangular sides, looking like a cut gem
    Charles Hinman, Chrysoprase, 2012
  • Black and white photograph of Robert Vaughn and Steve McQueen facing each other in profile in the foreground, and director Peter Yates in the background on the phone, setting up a shot, on the set of “Bullitt”
    Hatami, Robert Vaughn, Steve McQueen and director Peter Yates setting up a shot, on the set of “Bullitt”, 1968
  • Black and white photograph of Jackie Kennedy looking at a young Caroline as she paints using an easel inside a room with patterned wallpaper
    Jacques Lowe, Jacqueline Kennedy painting with Caroline, Hyannis Port, MA, September, 1960
  • Black and white photograph of James Dean in the street facing the camera and looking out of the corners of his eyes
    Roy Schatt, James Dean in the street, 1954
  • White acrylic painting on an irregularly-shaped masonite board with thin, overlaid black grid lines and thicker stright black lines and one yellow line in an erratic pattern
    Will Insley, Wall Fragment No. 93.11, 1993
  • Black & white photograph of crowd in Washington DC in front of the the Washington Monument carrying signs, We March, We Demand
    Bob Adelman, Marchers en route to the Lincoln Memorial, Washington, D.C., 1963 (printed 2007)
  • tridimensional painting on shaped canvas with facets resembling a gem
    Charles Hinman, Labradorite, 2012
  • Black and white photograph of Don Gordon standing and Steve McQueen with his arms crossed on the set of “Bullitt”
    Hatami, Don Gordon and Steve McQueen on the set of “Bullitt”, 1968
  • Black and white photograph of Jackie pushing John F Kennedy in a small boat in the water at a Hyannis Port beach
    Jacques Lowe, Jacqueline and John F. Kennedy, Hyannis Port, MA, August, 1960
  • Black and white photograph of James Dean and another figure, both shirtless, working with a lamp in a backyard setting
    Roy Schatt, James Dean in the backyard of Roy Schatt’s 33rd Street apartment / studio, 1954
  • Irregularly-shaped white acrylic painting on a masonite board with overlaid black and red grid lines and erratic straight lines
    Will Insley, Wall Fragment No. 03.2, 2003
  • Black & white photograph of African-American woman arrested by two white cops with helmets
    Bob Adelman, Innocent bystander arrested, Birmingham, Alabama, 1963 (printed 2007)
  • Tridimensional painting of a black and dark gray sides rhomboid prism with parallelogram sides
    Charles Hinman, Jet, 2012
  • Black and white photograph of Jacqueline Bissett and director Peter Yates speaking during a lunch break, on the set of “Bullitt”
    Hatami, Jacqueline Bissett and director Peter Yates during a lunch break, on the set of “Bullitt”, 1968
  • Black and white photograph of Jackie pushing John F Kennedy in a small boat in the water at a Hyannis Port beach
    Jacques Lowe, Jacqueline and John F. Kennedy, Hyannis Port, MA, August, 1960
  • Black and white photograph of James Dean sitting by a window holding a book in an apartment setting
    Roy Schatt, James Dean in his apartment, New York City, 1954
  • White acrylic painting on an irregularly-shaped masonite board with thin, overlaid black grid lines and thicker stright black lines in an erratic pattern
    Will Insley, Hinge Space Wall Fragment 93.12, 1993
  • Black & white photograph of Martin Luther King Jr. wearing a black suit and tie, white shirt
    Bob Adelman, Eyes on the prize: King in a quiet moment during the march to Montgomery, Alabama, 1965 (printed 2007)
  • Tridimensional painting of a black prism with triangular sides, looking like a cut gem
    Charles Hinman, Black Diamond, 2012
  • Black and white photograph of Jacqueline Bissett running alongside a packed tram on the street, on the set of “Bullitt”
    Hatami, Jacqueline Bissett during the filming of the tram scene from “Bullitt”, 1968
  • Black and white photograph of Jackie and John F Kennedy holding baby Caroline Kennedy who is putting her mother's pearls in her mouth
    Jacques Lowe, Jacqueline, John F. Kennedy, and Caroline, Hyannis Port, MA, Summer, 1958
  • Black and white photograph of James Dean sitting sideways in an armchair with his feet on the armrest at ABC Studios
    Roy Schatt, James Dean at ABC Studios, New York City, 1954
  • Five-sided black acrylic painting on a masonite board with overlaid white grid lines
    Will Insley, Wall Fragment No. 98.1, 1998
  • Black & white photograph of African-American boy at a school desk, with framed photograph of Abraham Lincoln in the background
    Bob Adelman, Classroom, New York City, 1963 (printed 2007)
  • Charles Hinman, Sardonyx, 2013
    Charles Hinman, Sardonyx, 2013
  • Black and white photograph of Steve McQueen and Jacqueline Bissett sitting down and speaking while Mcqueen makes a sandwich at lunch , on the set of “Bullitt”
    Hatami, Steve McQueen and Jacqueline Bissett conversing at lunch, on the set of “Bullitt", 1968
  • Black and white photograph of Jackie, John, and Caroline Kennedy posing against a white background for a Christmas card
    Jacques Lowe, Jacqueline, John F. Kennedy, and Caroline, The 1960 Christmas Card, Hyannis Port, MA, August, 1960
  • Black and white photograph of James Dean smiling in a black pea coat and propping one leg up on a stoop railing in front of a poster reading, "Loft to let"
    Roy Schatt, James Dean, 1954
  • Black & white photograph of African-American’s hands circling candidates on the 1966 ballot of Wilcox County, Alabama
    Bob Adelman, One of the first African American voters to cast a vote under the new law, Camden, Alabama, 1966 (printed 2007)
  • Tridimensional painting of stacked parallelepipeds in black, blue, beige, and white
    Charles Hinman, Dayo, 2014
  • Black and white photograph of Steve McQueen talking to three extras dressed in police costumes, standing outside on the set of “Bullitt”
    Hatami, Steve McQueen between takes with police extras, on the set of “Bullitt”, 1968
  • Jacques Lowe, Jacqueline Kennedy and Caroline, Hyannis Port, MA, Summer, 1961
    Jacques Lowe, Jacqueline Kennedy and Caroline, Hyannis Port, MA, Summer, 1961
  • Black and white photograph of James Dean in a dark setting looking through a woven curtain which is casting a patterned shadow on his face
    Roy Schatt, James Dean, 1954
  • Four-sided shaped arcylic painting divided into rectangular parcels of dark grey-brown with an overlaid grid, teal, orange, burgundy, yellow, and gray
    Will Insley, Wall Fragment No. 91.1, 1991
  • Black & white photograph of African-American man carrying a sign reading “Now”
    Bob Adelman, Participants in the 1963 March on Washington, D.C., 1963 (printed 2007)
  • Tridimensional painting of 4 connected prisms with a triangle tops in black, orange, lavender, and white
    Charles Hinman, Nightfall, 2014
  • Black and white photograph of Steve Mcqueen talking with actors dressed as nurses and doctors, with an extra in a stretcher, in between takes on the set of “Bullitt”
    Hatami, Steve McQueen with actors in between takes on the set of “Bullitt”, 1968
  • Color photograph from a high vantage point of John F Kennedy standing on a lawn while Jackie, Caroline, and a dog walk away from him
    Jacques Lowe, Jacqueline, John F. Kennedy, and Caroline, Hyannis Port, MA, Summer, 1960
  • Black and white portrait photograph of James Dean in profile as he tugs the collar of his black sweater with one hand
    Roy Schatt, James Dean, 1954
  • Black & white photograph of a white cop carrying an African-American woman holding a sign reading “Racial Equality”
    Bob Adelman, Passive Resister, 1964 (printed 2007)
  • Tridimensional painting of interconnected parallelepipeds in black, red, yellow, and white
    Charles Hinman, Dusk to Dawn, 2014
  • Black and white photograph of Steve McQueen reading a script with sunglasses on next to with director Peter Yates, with a man sitting and smoking a cigarette to Mcqueen’s right, in between takes on the set of “Bullitt”
    Hatami, Steve McQueen with director Peter Yates in between takes on the set of “Bullitt”, 1968
  • Color photograph of a young Caroline on the lap of her mother, Jackie Kennedy as they both turn their heads to face the camera
    Jacques Lowe, Jacqueline Kennedy and Caroline, Hyannis Port, MA, Summer, 1961
  • Black and white portrait photograph of James Dean with a sideways glance from a slightly lower vantage point
    Roy Schatt, James Dean, 1954
  • Black & white photograph of four African-American children in front of a blackboard with the words, Freedom Is Near
    Bob Adelman, Writing on the wall, Alberta, Alabama, 1965 (printed 2007)
  • Tridimensional painting of interconnected parallelepipeds in black, red, orange, and white
    Charles Hinman, Daylight, 2015
  • Black and white photograph of Steve McQueen, Peter Yates and crew sitting down outside speaking to each other, discussing the next scene, on the set of “Bullitt”
    Hatami, Steve McQueen, Peter Yates and crew discussing the next scene, on the set of “Bullitt”, 1968
  • Color photograph of Jackie Kennedy in a yellow gingham dress sitting on a cushioned lawn chair in front of a white house
    Jacques Lowe, Jacqueline Kennedy, Hyannis Port, MA, Summer, 1960
  • Black and white portrait photograph of James Dean tugging at the collar of his black sweater
    Roy Schatt, James Dean, 1954
  • Five-sided shaped arcylic painting divided into rectangular parcels of muted yellows, greens, blues, and purples with a faint grid overlaid
    Will Insley, Wall Fragment No. 88.1, 1988
  • Black & white photograph of Martin Luther King Jr. speaking, right hand raised, people behind him visible
    Bob Adelman, The Dreamer Dreams, Washington, D.C., 1963
  • Print of two interconnected rectangular prisms, blue and white, on pink background
    Charles Hinman, Gray on Lavender, 1974
  • Black and white photograph of Director David Lean standing on a staircase, preparing a scene with Geraldine Chaplin behind him, on the set of “Doctor Zhivago.”
    Hatami, Director David Lean preparing a scene on the set of “Doctor Zhivago.” In the background is Geraldine Chaplin, 1965
  • Color photograph of Jackie and John F Kennedy holding the hands of young Caroline Kennedy on a lawn in Hyannis port, Massachusetts
    Jacques Lowe, Jacqueline, John F. Kennedy, and Caroline, Hyannis Port, MA, Summer, 1960
  • Black and white portrait photograph of James Dean with a sideways glance in a black sweater
    Roy Schatt, James Dean, 1954
  • An eight-sided rectangular shape is divided into rectangular parcels of muted pink, blue, green, orange, and yellow acrylic
    Will Insley, Wall Fragment No. 87.5, 1987
  • Black & white photograph of African-American woman carrying a sandwich board with the word “Freedom”
    Bob Adelman, Signifying Photograph, c. 1968 (printed 2007)
  • Print of two interconnected rectangular prisms, light green and white, on burgundy background
    Charles Hinman, Green on Burgundy, 1974
  • Black and white photograph of Geraldine Chaplin posing towards the camera wearing an all black winter outfit, preparing for a scene in the harsh tundra
    Hatami, Geraldine Chaplin preparing for a scene in the harsh tundra, in Russia, on the set of “Doctor Zhivago” in Finland, 1965
  • Black and white portrait photograph of James Dean in a black sweater in which half of his face is illuminated and the other half is in shadow
    Roy Schatt, James Dean, 1954
  • Quadrilateral shaped arcylic painting divided into irregular rectangular parcels of muted yellows, greens, blue, and purple with an overlaid orange coordinate plane
    Will Insley, Wall Fragment No. 86.1, 1984
  • Black and white photograph of a man examining a sample registration form in Frank Robinson’s office in Sumter, South Carolina
    Bob Adelman, A candidate studies the practice form for a voter registration test, Sumter, South Carolina, c. 1962 (printed 2007)
  • Print of two interconnected rectangular prisms, pink and white, on beige background
    Charles Hinman, Lavender on Tan, 1974
  • Black and white photograph of Geraldine Chaplin practicing a scene reading a letter on the set of “Doctor Zhivago”
    Hatami, Geraldine Chaplin practicing a scene during which she received a letter from Yuri Zhivago on the set of “Doctor Zhivago” in Finland, 1965
  • Black and white photograph of close-up of James Dean in a black sweater looking downward at the camera
    Roy Schatt, James Dean, 1954
  • Four-sided shaped arcylic painting divided into rectangular parcels of muted yellows, greens, blues, and purples with a faint grid overlaid
    Will Insley, Wall Fragment 89.5, 1989
  • Black and white photograph of an older African American man having a button affixed to his lapel after registering to vote
    Bob Adelman, A successfully registered voter is awarded with his button, Sumter, South Carolina, 1962 (printed 2007)
  • Print of two interconnected rectangular prisms, yellow and white, on light blue background
    Charles Hinman, Lemon Yellow on Gray, 1974
  • Black and white close up photograph of Geraldine Chaplin on the set of “Doctor Zhivago” looking down and to the right
    Hatami, Geraldine Chaplin on the set of “Doctor Zhivago”, 1965
  • Six-sided shaped acrylic painting divided into rectangular parcels of muted yellows, greens, blues, and purples with a faint grid overlaid
    Will Insley, Wall Fragment 89.4, 1989
  • Black and white photograph of a vigil where participants hold posters with images of slain civil rights workers Schwerner, Chaney, and Goodman in Atlantic City, New Jersey
    Bob Adelman, All-night vigil at the 1964 Democratic National Convention, Atlantic City, New Jersey, 1964 (printed 2007)
  • Print of two interconnected rectangular prisms, pink and white, on orange background
    Charles Hinman, Pink on Orange, 1974
  • Black and white photograph of Geraldine Chaplin in the role of Tonya, wearing a long white wedding dress, preparing for a scene set up pre-Russian Revolution, on the set of “Doctor Zhivago”
    Hatami, Geraldine Chaplin in the role of Tonya, preparing for a scene set up pre-Russian Revolution, on the set of “Doctor Zhivago” in Finland, 1965
  • Acrylic on ragboard of quatrefoil shape in red, orange, blue, and white against a black background
    Will Insley, Structural Model #02, circa 1950s
Page
 12 
of 13