Artworks

Black and white photograph of Martin Luther King in front of a large cross, speaking at the 16th street Baptist Church in Birmingham, Alabama

Bob Adelman, At the 16th Street Baptist Church, Birmingham, Alabama, 1963 (printed 2007)

Print of two interconnected rectangular prisms, orange and white, on a light purple background

Charles Hinman, Red-Orange on Lavender, 1974

Black and white photograph of Geraldine Chaplin in a scene depicting the Soviet Union, a war torn landscape with charred buildings and rumble, on the set of “Doctor Zhivago”

Hatami, Geraldine Chaplin in a scene depicting the Soviet Union, on the set of “Doctor Zhivago” in Finland, 1965

Acrylic on ragboard of quatrefoil shape in bright red, and dark grey against a black background

Will Insley, Structural Model #01, circa 1950s

Black and white photograph of protesters in Kelly Ingram Park in Birmingham, Alabama being sprayed with fire hoses

Bob Adelman, Beloved community. Kelly Ingram Park, Birmingham, Alabama, 1963 (printed 2007)

Print of two interconnected rectangular prisms, yellow and white, on red background

Charles Hinman, Yellow on Red, 1974

Black and white photograph of Geraldine Chaplin as Tonya wearing a large black coat with soviet propaganda posters behind her, on the set of “Doctor Zhivago”

Hatami, Geraldine Chaplin as Tonya on the set of “Doctor Zhivago” (Soviet propaganda images in the background), 1965

Acrylic on ragboard of quatrefoil shape in bright yellow, red, and burgundy against a black background

Will Insley, Structural Model #05, circa 1950s

Black and white photograph of a young boy, mostly obscured by the architecture of the stoop he sits on

Bob Adelman, Boy in a box, Brooklyn, New York City, 1964 (printed 2007)

Print of two interconnected prisms, yellow and white, on blue background

Charles Hinman, Tan on Blue Green, 1974

Black and white photograph Geraldine Chaplin smiling at Ralph Richardson while holding a script, practicing a scene, on the set of “Doctor Zhivago”

Hatami, Geraldine Chaplin and Ralph Richardson practicing a scene, on the set of “Doctor Zhivago”, 1965

Acrylic on ragboard of geometric swirl shape in bright grey, red, and burgundy against a black background

Will Insley, Structural Model #08, circa 1950s

Black and white photograph of five well dressed boys standing in a row in front of a store

Bob Adelman, Boys to men, Easter Sunday. Harlem, New York City, c. 1979 (printed 2007)

Black and white photograph of Geraldine Chaplin and director David Lean sitting at a desk and reviewing the script, on the set of “Doctor Zhivago”

Hatami, Geraldine Chaplin and Omar Sharif in a scene where they are leaving Moscow for Varykino, on the set of “Doctor Zhivago” in Finland, 1965

Acrylic painting on paper of a geometric shape resembling a flower comprised of abstract patterns in muted reds, yellows, greens, and purples

Will Insley, Maquette 014, 1962-63

Black and white photograph of a white protester in front of the White House holding signs with hate speech

Bob Adelman, Hate Speech, the White House. Washington, D.C., 1962 (printed 2007)

Hatami, Geraldine Chaplin and Omar Sharif in a scene where they are leaving Moscow for Varykino, on the set of “Doctor Zhivago” in Finland, 1965

Acrylic painting on paper of a symmetrical shape comprised of abstract patterns in muted reds, yellows, greens, and purples

Will Insley, Maquette 019, 1962-63

Black and white photograph of Martin Luther King and his wife Coretta Scott leading marchers on Jefferson Davis Highway to Montgomery, Alabama

Bob Adelman, King and his wife Coretta lead the marchers on Jefferson Davis Highway to Montgomery, Alabama, 1965 (printed 2007)

Hatami, Geraldine Chaplin and director David Lean reviewing the script, on the set of “Doctor Zhivago” in Finland, 1965

Acrylic painting on paper of a shape resembling a square with rounded corners comprised of abstract patterns in muted reds, yellows, and purples

Will Insley, Maquette 013, 1963

Black and white photograph of Martin Luther King leading the singing of We Shall Overcome after eulogizing a slain civil rights crusader, the Reverend James Reeb, at Brown Chapel in Selma, Alabama

Bob Adelman, King leads the singing of "We Shall Overcome," Selma, Alabama, 1965 (printed 2007)

Black and white photograph of the Varykino estate,a large building with icicles and horses surrounding the estate, on the set of “Doctor Zhivago

Hatami, Scene where Lara and Yuri arrive at the Varykino estate, on the set of “Doctor Zhivago” in Finland, 1965

Acrylic painting on paper of a shape resembling a flower comprised of abstract patterns in muted reds, yellows, greens, and purples

Will Insley, Maquette 018, 1962-63

Black and white photograph of Ralph Bunche and the Kings with arms linked, parading down Montgomery’s main street in a victory march beginning in downtown Montgomery towards the state capitol

Bob Adelman, Leading 25,000 marchers, King enters the downtown, Montgomery, Alabama, 1965 (printed 2007)

Black and white photograph of Omar Sharif wearing a large fur hat on the set of “Doctor Zhivago”

Hatami, Omar Sharif in a winter scene which takes place in the Ural Mountains, on the set of “Doctor Zhivago” in Finland, 1965

Bob Adelman, Malcolm X's Widow, Betty Shabazz. Harlem, New York City, 1965 (printed 2007)

Black and white photograph of Omar Sharif wearing a plaid shirt and leaning against a wooden beam, in between takes of “Doctor Zhivago”

Hatami, Omar Sharif between takes on the set in Finland where parts of “Doctor Zhivago” were filmed, 1965

Black and white photograph of civil rights leader Malcolm X speaking at a demonstration in Brooklyn while holding a pamphlet reading, "To Unite!"

Bob Adelman, Malcom X at a civil rights demonstration, Brooklyn, New York City, 1963 (printed 2007)

Black and white photograph of Omar Sharif and Geraldine Chaplin, sitting and smiling at the camera, taking a break on the set of “Doctor Zhivago.”

Hatami, Omar Sharif and Geraldine Chaplin taking a break on the set in Finland, where parts of “Doctor Zhivago” were filmed, 1965

Black and white close-up photograph of author Ralph Ellison

Bob Adelman, Master of them that know: Ralph Ellison, Harlem, New York City, c. 1968 (printed 2007)

Hatami, Lara (Julie Christie) and Yuri (Omar Sharif), on the set of “Doctor Zhivago”, 1965

Black and white photograph of a woman, Mrs. Pettway, in her kitchen with walls covered in newspapers featuring Martin Luther King in Canton Bend, Alabama

Bob Adelman, Mrs. Pettway, Canton Bend, Alabama, 1966 (printed 2007)

Black and white photograph of Julie Christie and Omar Sharif both in all fur winter outfits, Sharif holding Christie’s shoulders, outside on the set of “Doctor Zhivago”

Hatami, Julie Christie and Omar Sharif in a scene where Lara must depart, on the set of “Doctor Zhivago” in Finland, 1965

Black and white photograph of woman picketer under arrest in a police van behind Loveman's department store in Birmingham, Alabama after protesting unfair hiring practices

Bob Adelman, Picketer under arrest behind Loveman's department store, Birmingham, Alabama, 1963

Black and white photograph of William A. Fraker, Roman Polanski and Mia Farrow looking at them in the background, New York City, on the set of “Rosemary's Baby”

Hatami, William A. Fraker (director of photography), Roman Polanski and Mia Farrow, New York City, on the set of “Rosemary's Baby”, 1968

Black and white photograph of three boys posing on a Queens street with baseball gear in New York

Bob Adelman, Play ball, St. Albans neighborhood, Queens, New York City, c. 1968 (printed 2007)

Black and white photograph of William A. Fraker wearing large black round sunglasses and laughing, with Roman Polanski looking at him in the background, New York City, on the set of “Rosemary's Baby”

Hatami, William A. Fraker (director of Photography) and Roman Polanski, New York City, on the set of “Rosemary's Baby”, 1968

Black and white photograph of Prince Arnold standing in front of a courthouse wearing a jacket, vest, and sheriff's badge

Bob Adelman, Prince Arnold, the first black sheriff elected under the Voting Rights Act, stands in front of the courthouse, Wilcox County, AL, 1980 (printed 2007)

Black and white photograph of Roman Polanski, Mia Farrow, John Cassavetes and crew in front of The Dakota building,with large apartment buildings in the background in New York City, on the set of “Rosemary's Baby”

Hatami, Roman Polanski, Mia Farrow, John Cassavetes and crew in front of The Dakota building, New York City, on the set of “Rosemary's Baby”, 1968

Black and white photograph of a protesting woman kneeling on a handkerchief on the ground surrounded by workers and police officers in Brooklyn, New York

Bob Adelman, Protestors put their lives on the line, closing down a construction site at the Downstate Medical Center, Brooklyn, New York City, 1963 (printed 2007)

Black and white close up photograph of Roman Polanski visualizing a shot, New York City, on the set of “Rosemary's Baby”

Hatami, Roman Polanski visualizing a shot, New York City, on the set of “Rosemary's Baby”, 1968

Black and white photograph of Reverend Ralph Abernathy and National Urban League Director Whitney Young Jr and Martin Luther King pledge allegiance at the ceremony at the Lincoln Memorial, Washington, D.C.

Bob Adelman, Reverend Ralph Abernathy and National Urban League Director Whitney Young Jr join King to pledge allegiance at the ceremony at the Lincoln Memorial, Washington, D.C., 1963 (printed 2007)

Black and white photograph of Roman Polanski taking a break between takes,holding two fingers to the camera and smirking, on the set of “Rosemary's Baby”

Hatami, Roman Polanski taking a break between takes, on the set of “Rosemary's Baby”, 1968

Black and white photograph of Rosa Parks seated as an honored guest at the March on Washington

Bob Adelman, Rosa Parks, an honored guest at the march, Washington, D.C., 1963 (printed 2007)

Black and white photograph of Roman Polanski reviewing the script with Mia Farrow and William A. Fraker in the background, outside in New York City, on the set of “Rosemary's Baby”

Hatami, Roman Polanski reviewing the script with Mia Farrow and William A. Fraker (director of Photography) in the background, New York City, on the set of “Rosemary's Baby”, 1968

Bob Adelman, Scuffling. Sumter, SC., 1962 (printed 2007)

Black and white photograph of Roman Polanski gesturing audio instructions to the crew on the set of “Rosemary’s Baby”

Hatami, Roman Polanski gesturing audio instructions to the crew, New York City, 1968

Black and white photograph of six young African American boys doing math problems on a chalkboard in a classroom setting

Bob Adelman, Segregated classroom, Prairie Mission, Alabama, 1966 (printed 2007)

Black and white photograph of Roman Polanski directing Mia Farrow while she smiles down and places a hand on her stomach, on Madison Avenue during the filming of “Rosemary’s Baby”

Hatami, Roman Polanski directing Mia Farrow on Madison Avenue, New York City, on the set of “Rosemary's Baby”, 1968

Black and white photograph of four men shooting craps outdoors on a stoop

Bob Adelman, Shooting Craps, 1976

Black and white photograph of Roman Polanski holding Mia Farrow from behind in front of The Dakota Building, New York City, on the set of “Rosemary's Baby”

Hatami, Roman Polanski and Mia Farrow in front of The Dakota Building, New York City, on the set of “Rosemary's Baby”, 1968

Black and white photograph of wealthy socialites mingling in a lavish interior being dusted by a maid

Bob Adelman, Socialite gathering, Dallas, Texas, c. 1966 (printed 2007)

Black and white photograph of Mia Farrow on the set of “Rosemary's Baby”, wearing a white dress and looking directly at the camera

Hatami, Mia Farrow on the set of “Rosemary's Baby” New York City, 1968

Black and white photograph of workers at a cab cheering and clapping

Bob Adelman, The marchers are cheered by workers at a cab stand that was one of the bulwarks of the Montgomery bus boycott ten years earlier, Montgomery, Alabama, 1965 (printed 2007)

Black and white photograph of Mia Farrow, Roman Polanski and Joan Crawford, New York City, on the set of “Rosemary's Baby”

Hatami, Mia Farrow, Roman Polanski, and Joan Crawford, New York City, on the set of “Rosemary's Baby”, 1968

Black and white photograph of a family standing in three rows in front of a farm house in Alabama

Bob Adelman, Three generations of tenant farmers. Millers Ferry, Alabama, c. 1966 (printed 2007)

Mia Farrow, Roman Polanski and Hanna Landy speaking in front of a car door, New York City, on the set of “Rosemary's Baby”

Hatami, Mia Farrow, Roman Polanski, and Hanna Landy, New York City, on the set of “Rosemary's Baby”, 1968

Black and white photograph of voter applicants waiting patiently in line at the Registrar of Voters office in Clinton, Louisiana

Bob Adelman, Voter applicants line up then wait to register, Clinton, Louisiana, c. 1963

Black and white photograph of Mia Farrow looking out the window on the phone, with a tense look on her face, on the set of “Rosemary's Baby”

Hatami, Mia Farrow practicing a tense scene, on the set of “Rosemary's Baby”, 1968

Black-and-white photograph of Malcolm X in his casket, shrouded in accordance with Islamic tradition, as African American men and women file by at the funeral viewing

Bob Adelman, With Allah. Harlem, New York City, 1965 (printed 2007)

Black and white photograph of Mia Farrow in Central Park, wearing a plaid dress on the set of “Rosemary's Baby”

Hatami, Mia Farrow near Central Park, New York City, on the set of “Rosemary's Baby”, 1968

Black and white photograph of white hecklers insulting two black women who are part of a voting rights drive in Selma, Alabama

Bob Adelman, Words can wound. Selma, Alabama, c. 1960s (printed 2007)

Black and white photograph of Mia Farrow and Maurice Evans taking a break, walking in lower Manhattan with a view of the bridge behind them, New York City, on the set of “Rosemary’s Baby”

Hatami, Mia Farrow and Maurice Evans taking a break, walking in lower Manhattan, New York City, on the set of “Rosemary’s Baby”, 1968