Artworks

Framed watercolor work on paper of the busts of two omen on a yellow / ochre background

Boris Lurie, Untitled, 1950

Charles Hinman, No Dice, 2002

A colorful artwork comprised of oil paint and patterned fabric affixed to canvas in a "neo-African abstract expressionist" mode

Danny Simmons, Deeper Desire II, 2018

Black and white photograph of Charlie Chaplin walking and linking arms with his wife Oona O’Neill outside at Pinewood Studios, on the set of “A Countess from Hong Kong”

Hatami, Charlie Chaplin and with his wife Oona O’Neill Pinewood Studios, Buckinghamshire, on the set of “A Countess from Hong Kong”, 1966

Oil on canvas painting of sectioned small colorful lines.

Inger Johanne Grytting, M 12, 2019

Black and white photograph of John and Jackie Kennedy mingling other attendees seated at the inaugural ball at the Armory

Jacques Lowe, Jacqueline and John F. Kennedy at the Inaugural Ball at the Armory, Washington, D.C, January 20, 1961

Black and white photograph of James Dean balancing between two walls as he aims a Rolleiflex camera towards the viewer with a cigarette hanging from his mouth

Roy Schatt, James Dean with Rolleiflex Camera, 1954

Multi-colored, minimalist sculpture comprised of layered organic forms

Steve Silver, Nothing But The Truth 6, 1982

Acrylic painting on paper of a shape resembling a flower comprised of abstract shapes in muted red and yellow

Will Insley, Wall Fragment 64.7, Lust, 1964

Photograph of Roy Lichtenstein, cropped at the shoulders, below a black sculpture of a head

Bob Adelman, Roy Lichtenstein poses below his version of Constantin Brancusi’s Sleeping Muse in his New York apartment, 1983 (printed later)

Charles Hinman, Night and Day, 2003

Black and white photograph of Charlie Chaplin conducting an orchestra, holding his baton up and looking out past the camera, on the set of “A Countess from Hong Kong”

Hatami, Charlie Chaplin conducting the score he composed for “A Countess from Hong Kong,” Pinewood Studios, Buckinghamshire, 1966

Oil on canvas painting of small gray lines forming a soft pattern.

Inger Johanne Grytting, M 16, 2018

Black and white photograph of John F Kennedy and other figures speaking on the tarmac in front of a plane on a foggy day in Portland, Oregon

Jacques Lowe, Airport, Jacqueline and John F. Kennedy, Portland, Oregon, Fall, 1959

Black and white photograph of James Dean shirtless holding a light meter and leaning against a wall

Roy Schatt, James Dean with light meter in Roy's 33rd Street apartment, 1954

Acrylic painting on masonite of a black circle with a smaller white circle at its center

Will Insley, Wall Fragment No. 67.7, Ring, 1967

Photograph of Roy Lichtenstein holding a large white isosceles triangular object standing in front of a yellow, black, and white geometric mural

Bob Adelman, Roy Lichtenstein standing before “Perfect Painting #1” in his studio, 1985 (printed later)

Charles Hinman, Sagittarius, 2003

Black and white photograph of Charlie Chaplin holding a large white bullet bra on the set of “A Countess from Hong Kong”

Hatami, Charlie Chaplin on the set of “A Countess from Hong Kong,” Pinewood Studios, Buckinghamshire, 1966

Oil on canvas painting of small colorful lines forming a waving pattern.

Inger Johanne Grytting, M 12, 2017

Black and white photograph of John F Kennedy standing on a small boat and looking down at the water of Coos Bay in Oregon

Jacques Lowe, John F. Kennedy, Coos Bay, Oregon, 1959

Black and white photograph of James Dean sitting on the floor of an apartment with a Rolleiflex camera on a tripod aimed at Ben Heller

Roy Schatt, James Dean with his camera [photographing Ben Heller] at Roy Schatt’s 33rd Street apartment / studio, 1954

Acrylic painting on masonite of a shape formed by four identical black circles with yellow lines surrounding one small square of negative space

Will Insley, Sun 64.4, 1964

Photograph of a man in dark silhouette working on a blue, red, and yellow painting of a vehicle

Bob Adelman, Roy Lichtenstein with the collage maquettes of the Time Square Mural, New York City, 1990 (printed later)

Charles Hinman, Lemon Drop, 2006

Hatami, Charlie Chaplin on the set of “A Countess from Hong Kong,” Pinewood Studios, Buckinghamshire, 1966

Oil on canvas board painting of a blue figure with a brown branch intersecting. Gray background.

Inger Johanne Grytting, Contact, 1994

Black and white photograph of John F Kennedy's silhouette from behind

Jacques Lowe, John F. Kennedy, Gala Spectacular, Washington D.C., January 19, 1961

Black and white photograph of James Dean in a doorway underneath a lamp and Exit sign at ABC Studios

Roy Schatt, James Dean with Exit Sign [ABC studios], New York City, 1954

Acrylic painting on masonite of a shape formed by four identical black rounded shapes with yellow grid lines surrounding one small square of negative space

Will Insley, Wall Fragment 64.A, 1964

Photograph of Roy Lichtenstein opening double doors painted yellow with white spots outlined with black

Bob Adelman, Roy Lichtenstein with Untitled (Swiss Cheese Elevator Doors) (1986) at his 23rd street studio, NYC, 1980s (printed later)

Charles Hinman, Footprint, 2006

Black and white photograph of Charlie Chaplin walking outside from a car on the set of “A Countess from Hong Kong”

Hatami, Charlie Chaplin on the set of “A Countess from Hong Kong,” Pinewood Studios, Buckinghamshire, 1966

Oil on canvas board, two trees with dark detailing connecting the two, a gray background.

Inger Johanne Grytting, Untitled, 1994

Black and white photograph of Jackie Kennedy holding her clutch and smiling widely at the inaugural ball at the Armory against a stark black background

Jacques Lowe, Jacqueline Kennedy, Inaugural Ball at the Armory, Washington D.C., January 20, 1961

Black and white photograph of close-up of James Dean leaning back on a couch holding a camera

Roy Schatt, James Dean with camera, 1954

Acrylic painting on masonite of a shape formed by four identical black squares with yellow grid lines surrounding one small square of negative space

Will Insley, Wall Fragment No. 63.6 Night Wall, 1963-64

Black and white photograph of Tom Wesselmann standing with folded arms in front of a painting of a female nude

Bob Adelman, Tom Wesselmann at Sidney Janis Gallery during his 1966 exhibition. In the background, artwork from the ‘Great American Nude’ series, 1966 (printed later)

Pearly white tridimensional painting of two interconnected rhomboid prisms with yellow and blue sides

Charles Hinman, Reflector, 2008

Black and white photograph of Sofia Loren sitting down with two crew members standing over her and speaking to each other, on the set of “A Countess from Hong Kong”

Hatami, Sofia Loren with crew members in between takes, on the set of “A Countess from Hong Kong,” Pinewood Studios, Buckinghamshire, 1966

Oil on canvas board painting of two branches intersecting with a gray background.

Inger Johanne Grytting, Tree x Two, 1994

Black and white photograph with a high contrast view of Jackie Kennedy seated for the Inaugural Ball at the Armory in Washington DC

Jacques Lowe, Jacqueline Kennedy at the Inaugural Ball at the Armory, Washington, D.C, January 20, 1961

Black and white photograph of James Dean shirtless holding a light meter in a backyard setting

Roy Schatt, James Dean with a light meter in Roy’s back yard, 1954

Acrylic painting on masonite of a shape formed by four identical black geometric shapes with red grid lines surrounding one small square of negative space

Will Insley, Wall Fragment No. 64.65, 1964

Bob Adelman, Tom Wesselmann in his studio at 54 Bond Street with artworks from the ‘Mouth’ series, which he exhibited in his 1966 exhibition at Sidney Janis Gallery, 1966

Tridimensional painting of interconnected prisms resembling a cut gem, with red shadow

Charles Hinman, Green Interference, 2008

Black and white photograph of Sophia Loren sitting and wearing a dressing robe, looking at Charlie Chaplin on the set of “A Countess from Hong Kong”

Hatami, Sophia Loren and Charlie Chaplin on the set of “A Countess from Hong Kong,” Pinewood Studios, Buckinghamshire, 1966

Black and white photograph of John F Kennedy in a top hat looking over his shoulder during inaugural festivities

Jacques Lowe, John F. Kennedy at the Inaugural Ball at the Armory, Washington D.C., January 20, 1961

Black and white photograph of James Dean walking down a New York City street wearing a jacket, white shirt, and light pants, with a cigarette in his mouth

Roy Schatt, James Dean walking, W 68th Street, 1954

Photograph of Tom Wesselmann behind a laser-cut steel sculpture of a woman

Bob Adelman, Tom Wesselmann in his 54 Bond Street Studio in 1988 with the cut-out of “Bedroom Blonde with Necklace", 1988 (printed later)

Tridimensional painting of two interconnected white rectangular prisms with colored sides (blue, yellow)

Charles Hinman, Blue Yellow, 2008

Black and white photograph of Sophia Loren sitting on a couch and Charlie Chaplin standing, with crew members and lights surrounding them, on the set of “A Countess from Hong Kong”

Hatami, Sophia Loren and Charlie Chaplin on the set of “A Countess from Hong Kong,” Pinewood Studios, Buckinghamshire, 1966

Black and white photograph of John F Kennedy dancing with Joan Bennett Kennedy in a wedding dress in the ballroom of the Bronxville Country Club in New York

Jacques Lowe, Senator Kennedy dances with the newest member of the Kennedy family, Joan Bennett Kennedy, at Bronxville Country Club, New York, November 29, 1958

Black and white photograph of James Dean taken from a higher vantage point as Dean is aiming his Rolleiflex camera upwards on a New York City street

Roy Schatt, James Dean taking pictures on W 68th Street, 1954

Two acrylic paintings on masonite in the form of two triangles mirroring one another, one black and the other white, each with lines which also mirror one another

Will Insley, Wall Fragment No. 75.51 & 42, 1975

Photograph of Tom Wesselmann standing between two separated parts of a large painting of a female nude

Bob Adelman, Tom Wesselmann in his Studio, 1988 (printed later)

Tridimensional painting of 3 interconnected white prisms at varying angles with one face in color: red, purple, blue

Charles Hinman, Chromatic Three, 2009

Black and white photograph of Sophia Loren and Charlie Chaplin sitting and laughing, with Sophia’s head in her hands, on the set of “A Countess from Hong Kong”

Hatami, Sophia Loren and Charlie Chaplin on the set of “A Countess from Hong Kong,” Pinewood Studios, Buckinghamshire, 1966

Black and white photograph of Jackie Kennedy and her daughter Caroline holding two kittens on the lawn of their Hyannis Port home

Jacques Lowe, Jacqueline Kennedy and Caroline, Hyannis Port, MA, Summer, 1961

Black and white photograph of James Dean sitting against a wall with the crook of one arm resting on his knee and a cigarette between his fingers

Roy Schatt, James Dean smoking, New York City, 1954

Two acrylic paintings on masonite in the form of two narrow triangles mirroring one another, one black and the other white, each with lines which also mirror one another

Will Insley, Wall Fragment No. 75.49 & 40, 1975

Photograph of Tom Wesselmann holding a steel laser-cut drawing of an outline of a female nude

Bob Adelman, Tom Wesselmann with laser-cut “Steel Drawing / Monica Lying” in his studio at 231A Bowery, 1988 (printed later)

Tridimensional painting of a white rhomboid prism with a triangular side

Charles Hinman, Leaning Twist, 2010

Black and white photograph of Sophia Loren swimming and looking up to smile at the camera, relaxing between takes on the set of “A Countess from Hong Kong”

Hatami, Sophia Loren relaxing between takes on the set of “A Countess from Hong Kong,” Pinewood Studios, Buckinghamshire, 1966

Black and white photograph of Jackie and Caroline Kennedy sitting in the grass with two kittens and a toy car

Jacques Lowe, Jacqueline Kennedy and Caroline, Hyannis Port, MA, Summer, 1961

Black and white photograph of James Dean playing the bongos while glancing upwards in an apartment setting

Roy Schatt, James Dean playing bongos, New Year's Eve at Roy Schatt’s 33rd Street apartment, 1954

Two acrylic paintings on masonite in the form of two trapezoids mirroring one another, one black and the other white, each with lines which also mirror one another

Will Insley, Wall Fragment No. 75.48 & 39, 1975

Black and white photograph of a female nude model with Tom Wesselmann leaning over a table and drawing her

Bob Adelman, Tom Wesselmann with model Monica Serra in his studio at 54 Bond Street, c.1966 (printed later)

Tridimensional painting of 3 interconnected white flattened cubes. At the left one has a color strip in yellow, at the right, blue.

Charles Hinman, Analogous Eclipse, 2010

Black and white photograph of Sophia Loren wearing a strapless dress with flowers wrapped around her neck and looking to the right on the set of “A Countess from Hong Kong”

Hatami, Sophia Loren with flowers on the set of “A Countess from Hong Kong,” Pinewood Studios, Buckinghamshire, 1966

Black and white close-up photograph of Jackie Kennedy and her infant daughter Caroline

Jacques Lowe, Jacqueline Kennedy and Caroline, Hyannis Port, MA, Summer, 1961

Black and white photograph of James Dean sitting at a three-quarters view resting both arms on upside-down stools in a studio setting

Roy Schatt, James Dean on the set of ‘The Thief’, New York City, 1954

Will Insley, Wall Fragment No. 75.45 & 54, 1975

Black & white photograph of four children in the back of a car, three white, one African-American

Bob Adelman, On main street, East Feliciana Parish, Louisiana, 1963 (printed 2007)

Tridimensional painting of a white prism a yellow side shadow

Charles Hinman, Emerald, 2010

Black and white photograph of Jacqueline Bissett outside talking to a group of schoolgirls, on the set of “Bullitt”

Hatami, Jacqueline Bissett talking to a group of schoolgirls, on the set of “Bullitt”, 1968

Black and white photograph of Jackie Kennedy in a nursery room motioning to a teddy bear on the floor in front of a young Caroline Kennedy, who looks down at the bear and is wearing a white dress

Jacques Lowe, Jacqueline Kennedy and Caroline, The Nursery, Hyannis, MA, Summer, 1961

Black and white photograph of James Dean in a three-quarters view looking out the window with a cigarette in his mouth

Roy Schatt, James Dean in window with cigarette, ABC Studios, New York City, 1954

Black & white photograph of African-American men and women holding each other while hosed down with water under pressure

Bob Adelman, No man is an island. Kelly Ingram Park, Birmingham, Alabama, 1963

Tridimensional painting of a yellow, beige & white prism with triangular sides, looking like a cut gem

Charles Hinman, Chrysoprase, 2012