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  • Work on paper and linen of a black horizontal rectangle, to the top left is a yellow vertical rectangle with red, blue, and pink shapes resembling a map, to the right is a white rectangle with black splatters across the shape and underneath resembles a globe map. A small pink square with black lines is within the white rectangle at the bottom
    Alan Steele, Twenty Three Spokes #4, 2020
  • Work on paper of interlocking square shapes, the top a black web, the center a washed blue, and the bottom a lime green.
    Alan Steele, Twenty Three Spokes #1, 2020
  • Mixed media work on paper with backed linen with interconnected square and rectangular shapes. The top left corner is a blue striped panel which is bordering a square with mandarin text, underneath the blue panel is a black and white drawing of interweaving lines. A light green stripe at the right borders all these elements.
    Alan Steele, Twenty Three Spokes #8, 2020
  • Mixed media work on paper with backed linen with vertical stripes made up of geometric shapes in various colors.
    Alan Steele, Twenty Three Spokes #13, 2020
  • Alan Steele, Intention Disappears with Use III, 2023
    Alan Steele, Intention Disappears with Use III, 2023
  • Alan Steele, Intention Disappears with Use I, 2023
    Alan Steele, Intention Disappears with Use I, 2023
  • Alan Steele, Intention Disappears with Use II, 2023
    Alan Steele, Intention Disappears with Use II, 2023
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Framed tridimensional black, white, and brown acrylic painting with a sliced fiddle bass mounted onto the canvas
    Arman, Colossus, 2004
  • A steel box with an accumulation of wood coffee mills hanging from chains from its top interior and numerous enamel coffee pots at its base
    Arman, It’s Logical [Coule de Source], 1994
  • The vertical half of an upholstered chair mounted onto a canvas tipped forward at approximately a 50 degree angle, both with a black swirling marble pattern created by being immersed in acrylic
    Arman, Untitled, 1998
  • Framed tridimensional blue acrylic painting with a sliced saxophone mounted onto the canvas
    Arman, Untitled, 2003
  • Painted blue slices of a cello are mounted on a painted blue canvas
    Arman, Untitled, 2004
  • Black and white photograph of Andy Warhol signing Liz Taylor prints at a table in the Leo Castelli Gallery
    Bob Adelman, Andy Warhol signing 'Liz Taylor' prints at the Leo Castelli Gallery, New York City, 1965 (printed later)
  • Bob Adelman, Andy Warhol and Gerard Malanga with "Elvis I" on exhibit at Leo Castelli Gallery, NYC, 1965
    Bob Adelman, Andy Warhol and Gerard Malanga with "Elvis I" on exhibit at Leo Castelli Gallery, NYC, 1965
  • Abstract painting with an orange rectangle on the left, a creme shape extending to the right of the canvas, an angled gray square, and a teal sliver underneath as the background. The foreground has a mixture of shapes in a variety of colors, and an oblong rounded triangle with one side yellow and the other black in front.
    Brenda Goodman, Double Talk, 2019
  • Abstract painting with shades of green contrasting and layering over each other in the background. In the foreground a bulbous tan shape with broad red brush strokes is set against a rounded black netted shape.
    Brenda Goodman, Back + Forth, 2019
  • A rectangular wood panel covered in reflective black urethane resin, black vinyl, and mixed media is mounted on a white wall
    Carrie Yamaoka, 72 by 45 (black), 2017
  • A rectangular wood panel covered in reflective black urethane resin, black vinyl, and mixed media is mounted on a white wall
    Carrie Yamaoka, 40 by 30 (clear/black #3), 2022
  • A rectangular wood panel covered in reflective black urethane resin, black vinyl, and mixed media is mounted on a white wall
    Carrie Yamaoka, 14 by 11 (fold #2), 2020
  • Modernist bronze sculpture of a stylized owl with perched on a semi-circular base
    Constantin Antonovici, Owl [Untitled Bronze], 1942
  • Large brown wood sculpture looking like an amphora with a low handle.
    Constantin Antonovici, Romanian Tradition, circa 1950s
  • Modernist oxidized bronze sculpture of a stylized, cone-shaped head with a hat
    Constantin Antonovici, Head of Brancusi V, 1956
  • Brownish bronze sculpture of a stylized head with a hat, hollow, on marble pedestal
    Constantin Antonovici, Head of Brancusi, 1957
  • Wood sculpture of mother and child, cylinder shaped with figures in etched lines
    Constantin Antonovici, Mother and Child, circa 1957
  • Modernist bronze sculpture of stylized owl represented by vertical bar, one eye open, one closed, on circular perch
    Constantin Antonovici, Owl (Untitled [Bronze]), 1957
  • Modernist marble & metal sculpture looking like a stylized torso (gray, green marble), on marble base
    Constantin Antonovici, Torso, 1957
  • Modernist polished aluminum sculpture of vertical owl with stylized eyes and head, on brown marble base
    Constantin Antonovici, Owl (Untitled [Silver]), 1958
  • Modernist bronze sculpture of a stylized profile with a braided hairdo reminiscent of folklore motifs, on bronze base
    Constantin Antonovici, Pony-Tail Girl, 1971
  • Modernist bronze sculpture of a stylized owl with large eyes perched on a circular base
    Constantin Antonovici, Owl (Untitled [Bronze]), 1974
  • Modernist polished bronze sculpture of a head with stylized eyebrow and nose, cut in an angle on one side
    Constantin Antonovici, Modern Head, 1953
  • Modernist white marble sculpture of vertical owl with stylized eyes and head, on white marble base
    Constantin Antonovici, Owl (Untitled [White Marble]), 1975
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