Artworks

  • A framed piece of thick black paper with organic rough edges is penetrated by a neat array of twelve grommets
    Harmony Hammond, Rim Series #6, 2011
  • A rectangular painting resembling the layout of a black tennis court with a large white square occupying the top center portion is mounted on a wall
    David Diao, Open/Surrender and Mourn, big/bw, 2010
  • Canvas painted light pink, blue, and white in swirling abstract shapes. Pieces of fabric are overlaid on top
    Joanne Greenbaum, Pink and Blue with Numbers, 2005
  • Framed tridimensional black, white, and brown acrylic painting with a sliced fiddle bass mounted onto the canvas
    Arman, Colossus, 2004
  • Painted blue slices of a cello are mounted on a painted blue canvas
    Arman, Untitled, 2004
  • Framed tridimensional blue acrylic painting with a sliced saxophone mounted onto the canvas
    Arman, Untitled, 2003
  • Painting of various objects and narrative vignettes on blue and brown background
    Ron Morosan, Reflective Futurology, 2001
  • Vertical painting on wood, in four sections, white, red, light blue, brown, each with drawings
    Ron Morosan, Four Way Switch, 1998
  • The vertical half of an upholstered chair mounted onto a canvas tipped forward at approximately a 50 degree angle, both with a black swirling marble pattern created by being immersed in acrylic
    Arman, Untitled, 1998
  • Sculpture of a seed pod made of hydrocal over steel with pigment, wide and curved touching the table from on end to the other
    Mary Ann Unger, Seed Pod, 1997-98
  • A three part painting, at the bottom, white with four blue and black illustrations, the middle a black background with a large abstract drawing in white lines, at the top orange, white, purple, and blue stripes with an abstract drawing
    Ron Morosan, System Thinking, 1996
  • Drawing of two figures with spears in silhouette flanking an abstract shape with geometric elements
    Ron Morosan, Congo Case, 1994-95
  • A steel box with an accumulation of wood coffee mills hanging from chains from its top interior and numerous enamel coffee pots at its base
    Arman, It’s Logical [Coule de Source], 1994
  • Sculpture with standing on three legs and then having two upward points,with even deep brown and black stripes throughout
    Mary Ann Unger, Untitled, 1994
  • Ink wash on paper, a white fern drawn closely with rounded, soft edges and a black background with streaks of white from the pen
    Mary Ann Unger, Fern / Vertebrae, 1990
  • White canvas with vertical and horizontal shades of gray lines, three thick gray lines across the canvas and one in the center. From the center protrudes a cube made of the same colors painted black on it’s top face
    Martha Diamond, White Glass, 1989
  • A square canvas covered in black acrylic paint and divided into four equal parts by a blue cross consisting of paint and crushed glass.
    Harvey Quaytman, Commander, 1988
  • Painting of several abstract landscapes with figures in vivid colors from multiple perspectives
    Ron Morosan, Post Future Landscape, 1988
  • A square canvas is covered in black acrylic paint and divided into four equal parts by a black cross consisting of paint and crushed glass. One white lines run vertically down the center of the canvas and another runs along the left upper and lower halves and left edge.
    Harvey Quaytman, The Steps, 1987
  • A square canvas is covered in black acrylic paint and divided into four equal parts by a black cross consisting of paint and crushed glass. Two vertical thin white lines run paralell to one another down the center of the canvas and along its left edge.
    Harvey Quaytman, Untitled, 1987
  • Nobuho Nagasawa on top of a roof looking down
    Nobuho Nagasawa, Noyaki, 1984/2023
  • Oil on paper painting with a grey boarder and light yellow throughout, thin black lines colored in with blue and pink paint
    Jack Tworkov, OP-Q2-77-3.5.8 Series, 1977
  • Monochrome black painted wood sculpture comprised of a neat arrangment of wooden planks within a rectangular frame
    Louise Nevelson, Untitled, 1976-78
  • Modernist white marble sculpture of vertical owl with stylized eyes and head, on white marble base
    Constantin Antonovici, Owl (Untitled [White Marble]), 1975
  • Modernist bronze sculpture of a stylized owl with large eyes perched on a circular base
    Constantin Antonovici, Owl (Untitled [Bronze]), 1974
  • Three photographs and ink on museum board, each has a small black and white photo with writing surrounding them
    Roger Welch, Automotives, 1972
  • Deep green oil painting on five connected canvas
    Jake Berthot, Egypt, 1972
  • Vertical four part painting in mudded red and blue with each block having irregular triangles
    Elizabeth Murray, Giant Maiden #2-5, 1972
  • Acrylic painting with layered, crossing purple lines, hints of yellow and blue peek through and thin white connecting rectangles drawn on top
    Jack Tworkov, R. A. on P #4, 1972
  • Large three part yellow piece with red and green detailing and similar red semi circles scaling across each part
    Elizabeth Murray, Three Golden Delicious Apples in Morning Light, 1972
  • Modernist bronze sculpture of a stylized profile with a braided hairdo reminiscent of folklore motifs, on bronze base
    Constantin Antonovici, Pony-Tail Girl, 1971
  • Monochrome black painting on wood with five isolated areas--a circle, two parallelograms, a rectangle, and a square--each featuring a cluster smaller pieces of wood painted black
    Louise Nevelson, Northern Shores III, 1966
  • Black and white photograph of Andy Warhol signing Liz Taylor prints at a table in the Leo Castelli Gallery
    Bob Adelman, Andy Warhol signing 'Liz Taylor' prints at the Leo Castelli Gallery, New York City, 1965 (printed later)
  • Bob Adelman, Andy Warhol and Gerard Malanga with "Elvis I" on exhibit at Leo Castelli Gallery, NYC, 1965
    Bob Adelman, Andy Warhol and Gerard Malanga with "Elvis I" on exhibit at Leo Castelli Gallery, NYC, 1965
  • Black and white, high contrast photograph of John F Kennedy in profile against a pitch dark background
    Jacques Lowe, Senator John F. Kennedy addressing the combined Massachusetts-Texas caucus, 1960
  • Modernist polished aluminum sculpture of vertical owl with stylized eyes and head, on brown marble base
    Constantin Antonovici, Owl (Untitled [Silver]), 1958
  • Brownish bronze sculpture of a stylized head with a hat, hollow, on marble pedestal
    Constantin Antonovici, Head of Brancusi, 1957
  • Modernist bronze sculpture of stylized owl represented by vertical bar, one eye open, one closed, on circular perch
    Constantin Antonovici, Owl (Untitled [Bronze]), 1957
  • Modernist marble & metal sculpture looking like a stylized torso (gray, green marble), on marble base
    Constantin Antonovici, Torso, 1957
  • Modernist oxidized bronze sculpture of a stylized, cone-shaped head with a hat
    Constantin Antonovici, Head of Brancusi V, 1956
  • Black and white photograph of Marilyn Monroe holding a cigarette in a light-colored coat sitting amongst a crowd of other figures dressed in dark colors within a studio setting
    Roy Schatt, Marilyn Monroe at The Actors Studio, 1955
  • Black and white photograph of Marilyn Monroe sitting in the Actor's Studio with Susan Strasberg seated on the floor next to her
    Roy Schatt, Marilyn Monroe at the Actor’s Studio with Susan Strasberg, 1955
  • Modernist polished bronze sculpture of a head with stylized eyebrow and nose, cut in an angle on one side
    Constantin Antonovici, Modern Head, 1953
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
  • Andy Warhol, Untitled, 1952-55
    Andy Warhol, Untitled, 1952-55
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