Roger Welch American, 1946-2022

  • Three photographs and ink on museum board, each has a small black and white photo with writing surrounding them
    Automotives, 1972
  • Installation view of two photographs and eight pages of white text on black paper next to a map drawing on plywood
    Ruth Elliott Memory Map, 1973
  • Black and white photograph of the Mississippi river with a darkened figure in the center and dark trees in the distance, surrounded by black and writing on the bottom
    Mississippi River Measure, 1970
  • Black and White photograph of a man on the floor placing marks on a large map with a man sitting behind him looking at what he is doing.
    Ruth Elliot Memory Map, 1973
  • Black and White photograph from the show “Laura Connor: Memory Map” showing two men at a table with one’s hand projected onto the wall behind him for the audience at the right to see
    Laura Connor Memory Map, 1973
  • Photograph of two men working at a desk in a room with primitive house drawings on the wall and a model on the floor
    Harry Lieberman Memory Map, 1973
  • Two photographs and ink on museum board, both are photos in black and white on beige paper with black writing below
    Bunker Hill, 1972
  • Two photographs and ink on museum board, both having small black and white photographs, one has writing surrounding it
    Echo Lake Park, 1972
  • Two photographs and ink on museum board, both having small black and white photographs, one has writing in blocks surrounding it
    Family Reunion, 1972
  • Three side by side vintage photographs of a man, beneath is a timeline with writing and smaller pictures, ink on board
    Interpretation, Disintegration, Transformation I, 1973
  • Three side by side photographs, beneath is a diagram with black ink and beside is a large black block
    Interpretation, Disintegration, Transformation II, 1973
  • Installation of two videoes, one of a man speaking on a small television and one projected on a mirrored platform
    Niagara Falls Project, 1975
  • Three gelatin silver print images, left a portrait of Larry Lee, right Clyde Vaugn, center a black and white image of the two boxing. Underneath the portraits are interview transcripts.
    Preliminaries, first round: Larry Lee vs Clyde Vaughn, 1976
  • Video still of two football players running onto the field
    O.J. Simpson Project, 1977
  • Three chromogenic color prints alternating between a crowd and a close up of a soccer player, underneath each image is a white panel containing a red circle attached to a thin black line which circles a crowd member or player
    Romantic Dialogues, Pele Part B, 1977
  • Three chromogenic color prints alternating between a crowd and a close up of a soccer player mounted on board with handwritten text in pastel
    Romantic Dialogues: Chinaglia Part A, 1977
  • Five chromogenic color prints alternating between a crowd and a close up of a soccer player, mounted on board with handwritten text in pastel
    Romantic Dialogues: Pele Part A, 1977
  • Four chromogenic color prints alternating between a crowd and a close up of a soccer player, mounted on board with handwritten text in pastel
    Romantic Dialouges, Beckenbauer, 1977
  • Collaged image of the interior of two identical subway cars with passengers, one sepia toned and one blue.
    Subway Cars, 1980
  • Sculpture of a car made of twigs, tree branches, bamboo, twine, adhesive to bind knots
    Drive In, 1980
  • Sculpture of a car made of twigs tree branches, bamboo, twine and adhesive to bind knots, with a black and white film playing in the background
    Drive-In: Second Feature, 1982
  • Two photographs on a black board, one is black and white of a street, the other is a young boy with a machine, the words “When I grow up, I would like to be a jet designer.” written in silver pen on the top and bottom of the page
    When I Grow Up I Want To Be a Jet Designer, 1990-91
  • Two photographs on a black board, one is black and white of a street with white child-like doodles on top of it, the other is a young boy holding a book, the words “When I grow up, I would like to be a novelist.” written in silver pen on the top and bottom of the page
    When I Grow Up I Want To Be a Novelist, 1990-91
  • Two photographs on a black board, one is black and white of a street, the other is a young boy, the words “When I grow up, I want to be a pianist” written in silver pen on the top and bottom of the page
    When I Grow Up I Want To Be a Pianist, 1990-91
  • Two photographs on a black board, one is black and white of a street, the other is a young boy, the words “When I grow up, I want to be a Scientist.” written in silver pen on the top and bottom of the page
    When I Grow Up I Want To Be a Scientist, 1990-91
  • Two photographs on a black board, one is black and white of a street with white child-like doodles on top of it, the other is a young boy holding a book, the words “When I grow up, I want to be a veterinarian or a scientist on animals,” written in silver pen on the top and bottom of the page
    When I Grow Up I Want To Be a Vet, 1990-91
  • archival color inkjet photographs mounted on corrugated acid free board, wood, masonite, wall paper, mixed media
    History of Design, 2006