Dallas Art Fair: Booth F12A

  • WESTWOOD GALLERY NYC is pleased to be participating in the 2025 Dallas Art Fair in Booth F12A.

     

    Established in 1995 in New York City by James Cavello and Margarite Almeida, Westwood Gallery NYC has been dedicated to advancing the scholarship of contemporary and postwar art and preserving artistic history. 

     

    For our first presentation at the Dallas Art Fair, the gallery is showcasing recent and historic works by seven artists from our program. Each artist has a museum history, many with current institutional exhibitions.

     

    Inger Johanne Grytting (b. 1949, Norwegian-American), drawings and paintings by a minimalist artist engaged in the practice of mark-making. Grytting will be the subject of a retrospective exhibition at Tegnerforbundet in Oslo, Norway, April 11 – June 15, 2025.

    Charles Hinman (b. 1932, American), shaped canvas paintings by a pioneer and leader of the movement with over 50 solo museum and gallery exhibitions. 

    James Juthstrom (1925-2007, Finnish-American), abstract expressionist paintings of the cosmic universe, rediscovered from seclusion and identified by museums

    Don Porcaro (b. 1950, Italian-American), timeless totemic marble and stone sculptures by a master of sculpture with a finely-tuned and complex process. 

    Danny Simmons (b. 1953, American), fabric-integrated paintings by a founder of the Neo-African Abstract Expressionist movement, the subject of a solo exhibition at the Houston Museum of African American Culture, opening August 2025.

    Boris Lurie (1924-2008, Latvian-American), paintings and works on paper by a co-founder of the social activist NO!art movement in New York.

    Gerhardt Liebmann (1928-1989, American), paintings and works on paper centered on architecture, space, and light by a historic New York artist and the first president of the SoHo Artists Association.

     

    The works on view by these artists reflect the gallery's ongoing mission to shine a light on those who have played pivotal roles in shaping the art world of today, and offer many of these artists their first opportunity to be introduced to the Dallas Art scene.

     

    For Sales Inquires, please contact Matthew McPhillips, Associate Director at matthew@westwoodgallery.com

  • Inger Johanne Grytting

  • Inger Johanne Grytting T 10 (2013) $4,800.00 'My work describes a primal joy in mark making. The more there are...

    Inger Johanne Grytting

    T 10 (2013)

    $4,800.00

    "My work describes a primal joy in mark making. The more there are of them the more I feel alive."
    - Inger Johanne Grytting

  • Inger johanne grytting M 2 (2020) $26,000.00 Inger Johanne Grytting’s post-minimal paintings and drawings display affinities with both Minimalism and...

    Inger johanne grytting

    M 2 (2020)
    $26,000.00

     

     

    Inger Johanne Grytting’s post-minimal paintings and drawings display affinities with both Minimalism and Abstract Expressionism, although neither genre properly encapsulates her practice. Rather, the artist describes herself as a mark-maker, an artistic practice defined by its indexical relationship to energy and movement. Experiencing these abstract works is like seeing handwriting in a diary and directly sensing the deep personal energy communicated through the artists’ gestures.

  • Other works available at the Dallas Art Fair
    • Graphite on paper drawing of horizontal lines with limited blank space.
      Inger Johanne Grytting, T 16, 2006
      $ 4,800.00
    • Graphite on paper drawing with small lines in small rectangles.
      Inger Johanne Grytting, T 52, 2012
      $ 4,800.00
  • Artist Inger Johanne Grytting standing in front of her paintings in her studio

    Inger Johanne Grytting (b. 1949) was born and raised in Svolvær, Norway, a small island town on the Lofoten archipelago. In 1972, Grytting moved to the Bowery in New York City, where she studied art at City College of New York. She was guided by her friend and mentor Jan Groth (1938-2022) who introduced her to the New York art scene. In addition to her art practice, Grytting was the art director of Fiction Magazine for over forty years, where she connected international writers and visual artists. 

     

    Grytting’s artwork is exhibited internationally and collected by museums and private collections. Selected museum exhibitions include The Vigeland Museum (Oslo, Norway), and Nordnorsk Kunstmuseum (Tromsø, Norway). Her artworks are in the collection of The National Museum of Art (Oslo, Norway), Stavanger Kunstmuseum (Stavanger, Norway), Nordnorsk Kunstmuseum (Tromsø, Norway), KODE (Bergen, Norway), and others. 

     

    Grytting is also the subject of a three-decade retrospective exhibition at the Tegnerforbundet in Oslo, opening on April 11, 2025.

     

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  • Charles Hinman

  • 'My consuming interest in making these paintings is to establish the real sculptural space of the work in context with...

    CHARLES HINMAN

    Labradorite (2012)
    $48,000.00
    "My consuming interest in making these paintings is to establish the real sculptural space of the work in context with an illusory space and show how these spaces interact. I think of my paintings as occupying a 6-dimensional space: the three dimensions of space, one each of time, light, and color."
    — Charles Hinman

     

  • Hinman's ‘Gems and Minerals’ series from 2012-13 continues an exploration started in the 1960s into the aesthetics of tension and the relationships between form, color, line, and space. Expanding beyond the limits of the canvas, Labradorite (2012) and Sardonyx (2013) exploit the surrounding wall to reflect colors hidden from plain view, continuing his innovative manipulation of form, perspective, and illusion.

     

    Today, at 93 years-old, Charles Hinman is firmly in the lexicon of the most important geometric minimalist painters of the twentieth and twenty-first century.

  • Charles Hinman Sardonyx (2013) $42,000.00

    Charles Hinman

    Sardonyx (2013)

    $42,000.00

  • Other works available at the Dallas Art Fair
    • Tridimensional painting of interconnected white and navy blue parallelograms
      Charles Hinman, Purple Majesty, 2014
      $ 18,000.00
    • Tridimensional painting of interconnected white and blue parallelograms
      Charles Hinman, Blue Over, 2014
      $ 18,000.00
  • Artist Charles Hinman working on a painting in 1980

    Charles Hinman (b. 1932) is a New York Minimal painter who pioneered three-dimensional shaped canvas paintings through his innovative use of shadow, light, and shape with complex mathematical formulae. Born and raised in Syracuse, New York, Hinman holds his BFA from Syracuse University and taught at the Arts Student League of New York. In 1965, he joined the growing community of artists on the Bowery and moved into his studio and living space at 231A Bowery in the same building with artists Will Insley, David Diao, Tom Wesselmann, Frances Barth, Harvey Quaytman, and Max Gimblett, where Hinman resided for over fifty years. His art career began with a seminal group exhibition at Sidney Janis Gallery, and thereafter his first solo exhibition at Richard Feigen Gallery in 1964. 

     

    Charles Hinman's artwork is exhibited internationally and collected by major institutions and private collectors across the world. In Dallas, his work is in the prestigious Carl & Marilynn Thoma Foundation. His work is included in the permanent collections of the Whitney Museum of American Art, the Museum of Modern Art, the Los Angeles County Museum of Art, the Hirshhorn Museum and Sculpture Garden, the Denver Art Museum, the Nagaoka Museum in Japan, the Tel Aviv Museum in Israel, and the Contemporary Austin among others. He is the recipient of a Guggenheim Fellowship and four Pollock-Krasner Foundation grants. His most recent retrospective was in 2019 at the Kreeger Museum, Washington DC.

     

    Hinman will be the subject of an upcoming solor exhibition at Westwood Gallery NYC, opening June 6, 2025.

     

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  • James Juthstrom

  • James Juthstrom Universal #2 (circa 1980s) $36,000.00 Universal #2 was created in the 1980s when Juthstrom was consumed by the...

     

    James Juthstrom

    Universal #2 (circa 1980s)
    $36,000.00

     

    Universal #2 was created in the 1980s when Juthstrom was consumed by the practice of mark-making – imbuing his hypnotic paintings with a sense of his own energy and presence. Working out of his Broome Street loft, Juthstrom dedicated months – sometimes years – to building layer upon layer of shimmering pigments, cryptic patterns, hatch marks, and small rings. These rings, created with Q-tips in lieu of brushes, were the result of years of experimentation with various unconventional tools to create the “perfect hand-painted circle.”

  • Other works available at the Dallas Art Fair
    • Abstract expressionist artwork on paper comprising an underlying grid-like pattern overlaid with multi-colored hatch marks in a black frame
      James Juthstrom, Untitled #039, circa 1980s
      $ 8,000.00
    • James Juthstrom, Untitled #123, circa 1980s
      James Juthstrom, Untitled #123, circa 1980s
      $ 7,500.00
  • Artist James Juthstrom painting

    James Juthstrom (1925-2007) was an American artist who was born in the Bronx to a Finnish immigrant family. James Juthstrom studied at the Brooklyn Museum Art School under Bill Kienbusch (Modernist painter, 1914-1980) and Reuben Tam (American Landscape painter, 1916-1991).

     

    Following his initial success in the 1950s, he traveled around the country, visiting the Hawaiian Islands, the mountains of Southern California, and the highlands of the Southeast. When he returned to New York in 1965, he leased the top floor of an abandoned, burnt out brownstone loft building in SoHo on Broome Street, where he lived and worked for 50 years creating paintings, drawings, etchings, and sculpture ranging from abstract to figurative. His artwork was exhibited at the Brooklyn Museum (1955, 1956, 1958, 1960), the Whitney Museum of American Art (1956), Detroit Institute of Arts (1957), Gallery G (1957), Pennsylvania Academy of Fine Arts (1959, 1960, 1963, 1967), and The Bronx Museum (1977), among others. Although he had opportunities for gallery representation, he lived on an electrician’s salary and was driven purely by an instinctive drive towards self-expression, creating work in the privacy of his loft.

     

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  • Don porcaro

  • 'My work explores the nature of human interaction with the physical world through references to architecture and man-made objects.' —...

    Don Porcaro

    Talisman 16 (2016)
    $24,000.00 
    "My work explores the nature of human interaction with the physical world through references to architecture and man-made objects."
    — Don Porcaro
  • Don Porcaro Collective 3 (2023) $14,000.00 For the past decade, Porcaro has been creating totemic vertical forms created from hand-carved...

    Don Porcaro

    Collective 3 (2023)

    $14,000.00

     

     

    For the past decade, Porcaro has been creating totemic vertical forms created from hand-carved fragments of limestone, marble, metal, and other diverse stones. Instead of using a reductive process, he uses an additive process as he cuts, builds, and assembles layers together, joining them into larger forms. In sculptures such as Collective 3 (2023), Porcaro includes one or multiple layers of dark stone to symbolize transformative events that would lead to historical shifts in a civilization.

  • Other works available at the Dallas Art Fair
    • Don Porcaro, Collective 4, 2023
      Don Porcaro, Collective 4, 2023
      $ 4,000.00
    • Multilayered, complex sculpture with three side-by-side parts, layering in white and an orange, yellow, and black center
      Don Porcaro, Everybody Knows 26, 2023
      $ 3,800.00
  • Artist Don Porcaro working in his studio

    Don Porcaro  (b. 1950) is a New York-based artist who began his art career in the 1970s. Born in Newark, New Jersey, Porcaro holds his BFA from Farleigh Dickenson University (Madison, NJ) and his MFA in sculpture from Columbia University (New York, NY). In graduate school, Porcaro studied under his mentor and friend Ronald Bladen. Shortly after his graduation, Porcaro joined the faculty of Parsons School of Design, where he taught for over 43 years from 1975 to 2017, and where he is now Professor Emeritus of Fine Arts. 

    Don Porcaro's artwork is exhibited internationally and nationally in New York, NY, Mexico, Switzerland, France, Germany, South Korea, and Japan. His work is collected by museums and private collections, including the National Academy of Design (NYC), the D'Amour Museum of Fine Arts (Springfield, MA), the Progressive Corporation (Cleveland, OH), Emory University (Atlanta, GA), Forma Viva Sculpture Collection (Portorož, Slovenia), and others. His work has been reviewed in The New York Times, Sculpture Magazine, Art in America, Artnews, BOMB Magazine, and Newsday, among others. Porcaro is a recipient of a Pollock-Krasner Foundation grant, New York Foundation for the Arts/New York State Council on the Arts grant, and a Teaching Excellence Award from Parsons School of Design. He is also a member of the Abstract American Artists Association and the National Academy of Design.

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  • DAnny Simmons

  • '...growing wildflower bloom & bloom & blooming the color of spirits freed to run and play on raw canvas' -...

    "...growing wildflower bloom & bloom & blooming the color of spirits freed to run

    and play on raw canvas"

    - Excerpt from Danny Simmons, "The Way to Everything"

     

     

     

    Danny Simmons

    Kubakingdom (2016)
    $48,000.00
  • Danny Simmons Liberation of Sweet Amanda (2025) $14,000.00

    Danny Simmons

    Liberation of Sweet Amanda (2025)
    $14,000.00
  • Other works available at the Dallas Art Fair
    • White framed colorful artwork comprised of oil and patterned fabric on canvas in a "neo-African abstract expressionist" mode
      Danny Simmons, All Things Being Equal, 2025
      $ 8,500.00
    • White framed colorful artwork comprised of oil and patterned fabric on canvas in a "neo-African abstract expressionist" mode
      Danny Simmons, Shorty From the Old Neighborhood, 2025
      $ 3,500.00
  • For over four decades, Simmons has created paintings, works on paper, and assemblage informed by cross-cultural history and spirituality embedded within indigenous and African cultures. As the founder of the artistic movement Neo-African Abstract Expressionism, the artist seamlessly integrates traditional African motifs, textiles, and markings with gestural symbols reclaimed from modernism. Simmons’ mixed media collages, like Kubakingdom (2016) embrace not only differences across space but also speak to the many layers that comprise the artist’s own identity as well as the complex and multiplicitous history of black diaspora.

     

    Kubakingdom (2016) is also the subject of one of Simmons' three large-scale public art murals in Philadelphia completed in partnership with Mural Arts Philadelphia.

  • Artist Danny Simmons

    Danny Simmons (b. 1953) is a visual artist, poet, author, curator, collector, and community philanthropist. He is the co-founder and co-producer of Def Poetry Jam, and won a Tony Award for the Broadway version of the show. He is also the co-founder of the renowned Rush Philanthropic Arts Foundation which has provided exhibitions, arts education and opportunities for hundreds of emerging, developing and underrepresented artists of color since 1995. His artworks have been exhibited nationally and internationally and collected by major institutions and private collectors. Simmons is represented exclusively by Westwood Gallery NYC. 

     

    Selected museum exhibitions include the Reginald F. Lewis Museum, Baltimore, MD, Houston Museum of African American Culture, Ghana National Museum, Parish Gallery, Washington D.C., among others. His artworks are in museum and institutional collections such as the Brooklyn Museum, Montclair Art Museum, Pennsylvania Academy of Fine Art, The Smithsonian, Columbus Museum of Art, GA, US State Department (Suriname), Schomburg Center for Research in Black Culture, and other collections.

     

    Simmons is also the subject of a traveling exhibition "Danny Simmons: The Journey to Everything" at the Houston Museum of African American Culture, opening August 2025.

     

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  • Boris Lurie

  • Boris Lurie's oeuvre is often characterized by its critique of consumerism, imperialism, sexism, and war; however, the presented works reveal a softer side to the artist. Although born from darker memories, the women depicted in these paintings are rendered as expressive, abstracted forms that emphasize the organic beauty of the human body. Despite the horrors that Lurie endured during his life – including the loss of his family and childhood to the Holocaust – his artworks have taken on a renewed sense of hope. They depict pain, not as suffering, but as healing symbols of survival and the perseverance of humanity.
  • Boris Lurie Untitled (1950) $50,000.00

    Boris Lurie

    Untitled (1950)

    $50,000.00

  • Boris Lurie Three Women (1949) $35,000.00

     

    Boris Lurie

    Three Women (1949)

    $35,000.00

  • Other works available at the Dallas Art Fair
    • Monoprint depicting abstracted figures in simple black outlines
      Boris Lurie, Untitled, 1950
      $ 7,000.00
    • Oil painting on board depicting three monochromatic organic female nudes in expressive poses against a multicolored background
      Boris Lurie, Untitled (Three Figures), 1950
      $ 22,000.00
  • artist boris lurie in his studio in 1957

    Boris Lurie (1924-2008) was born in Leningrad, Russia, and grew up in Riga, Latvia. At the age of sixteen, he was taken prisoner by the Nazis and imprisoned for a period of four years at Buchenwald and other concentration camps. After his liberation, Lurie remained in Germany for a year and worked for the U.S. Army Counter Intelligence Corps. He moved to New York City in 1946 and began his art career there. From 1954 to 1955 he lived and worked in Paris. During his lifetime, Lurie’s NO!art was largely rejected by art critics, museums, and collectors, and in the past decade has finally received renewed appreciation and accolades due to the work of the Boris Lurie Art Foundation. 

     

    Boris Lurie’s artwork is exhibited internationally and has been included in group exhibitions at the Museum of Modern Art, New York (NY), Grey Art Museum, New York (NY), Jewish Museum, New York (NY), Prada Foundation, Venice (Italy). Recently, Boris Lurie has had solo exhibitions at Museo Judio de Buenos Aires (Argentina), The Jewish Museum of São Paulo (Brazil), Ludwig Museum, Budapest (Hungary), Museo Nacional de las Culturas del Mundo, Mexico City (Mexico), Museo De Art Contemporáneo, Santiago (Chile), Museum of Jewish Heritage, New York (NY), and many others.

     

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  • gerhardt liebmann

  • "In all the works there is a thread, I think, that ties them together. Beyond the mere emphasis on space, that is. Even though I seldom use the figure of man, it is man which is my theme: his loneliness, his innocence in the hands of God, his numbers overwhelming the earth.”
    - Gerhardt Liebmann
  • From 1972-1979, Liebmann created a series of paintings that sought to explore the world from ground to sky. This included...

    Gerhardt Liebmann

    Crescent Moon Rising (1979)

    $35,000.00

    From 1972-1979, Liebmann created a series of paintings that sought to explore the world from ground to sky. This included depictions of empty urban landscapes, a series of doll remnants from a nearby Greene Street factory, and a series of surrealist SoHo rooftops. As an explorer of world culture, after three different global trips by motorcycle and hitchhiking, Liebmann explored the cast iron buildings, factories, parking lots and warehouses of SoHo with the same sense of wonder. His paintings capture a nuanced and quiet beauty of urban life, while also rendering a subtle stillness.

     

     

  • Other works available at the Dallas Art Fair
    • Framed pencil drawing of the corner of a building with countless windows occupying almost its entire facade
      Gerhardt Liebmann, A Window for Each, 1980
      $ 8,000.00
    • Framed color pencil drawing of the roof seen at the corner of a building at night, with a glowing crescent moon in the foreground
      Gerhardt Liebmann, Moon Rise, 1980
      $ 8,000.00
  • Gerhardt Liebmann (1928-1989) was born in Downey, California, in 1928, and was an artist, architect, photographer, pilot, explorer, mountaineer, and activist. Liebmann moved to Soho in 1968, purchasing a loft at 451 West Broadway. He quickly became active in the SoHo Artists Association serving as its first president. He painted many series of works, each reflective of his journey in exploring subjects related to his environment. Liebmann was diagnosed with AIDS in 1983 and was one of the first recipients of the then-experimental drug AZT. He passed away from AIDS in 1989.  

     

    Gerhardt Liebmann had solo exhibitions at Eleanor Ward's Stable Gallery (1969/1970); in Dubai, The United Arab Emirates (1976); Brooks Jackson Gallery Iolas, New York (1978); Alexander Carlson Gallery, New York (1981); and Gallery: Gertrude Stein (posthumous, 1997). Liebmann has been included in group shows at the National Academy of Design (1965), The Smithsonian Institute (1965-66), Indianapolis Museum of Art (1969), O.K. Harris Gallery, New York (1971), Albright-Knox Gallery, Buffalo, NY (1971), Boston Museum of Fine Arts (1971), Bronx Museum of the Arts (1980), and the Hirshhorn Museum, Washington DC (1983).


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