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Bob Adelman: New York Artists

Past exhibition
9 Jan - 24 Mar 2018
  • Artworks
  • Installation Views
  • Press release
  • Press
Artworks
  • Photograph of Andy Warhol in sunglasses reclining on a red mid century modern velvet sofa
    Bob Adelman, Andy Warhol on the red Factory couch (which was used in the 1964 film ‘Couch’). Silk-screened ‘Jackie’ in the background, 1964 (printed later)
  • Photograph of Andy Warhol in sunglasses standing in a foil-lined bathroom
    Bob Adelman, Andy Warhol in the silver-foil-covered bathroom at the Factory, 1965 (printed later)
  • Photograph of Andy Warhol standing in a grocery store with a shopping cart full of items and looking at the viewer
    Bob Adelman, Andy Warhol in Gristedes Supermarket, New York City, 1964
  • Photograph of Andy Warhol lying on his stomach looking at the viewer behind 12 screen prints laid on the floor
    Bob Adelman, Andy Warhol at the Factory with artwork from the suite ‘An American Man,’ a portrait of Watson Powell Sr., the founder of American Republic Insurance Company, 1964 (printed later)
  • Photograph of Andy Warhol standing in front of two multicolored paintings of flowers (red, yellow, black, green, white) with a sculpture in the background
    Bob Adelman, Andy Warhol at the Factory with ‘Flower’ paintings, 1964 (printed later)
  • Photograph of Andy Warhol crouching in a grocery store aisle, selecting cans of soup behind a shopping cart
    Bob Adelman, Andy Warhol in Gristedes Supermarket Near 47th Street Factory, 1964
  • Black and white photograph of Andy Warhol in profile in front of a screen print of a man’s mug shot
    Bob Adelman, Andy Warhol with ‘Most Wanted Man No. 2, John Victor G.', 1965 (printed later)
  • Black and white photograph of Andy Warhol reading the newspaper next to an open door in a foil-lined room
    Bob Adelman, Andy Warhol in the silver-foil covered bathroom at the Factory, 1965
  • Black and white photograph of three people, Andy Warhol, Marisol, and a man, holding cups at a party
    Bob Adelman, Actor Kevin McCarthy, Andy Warhol and Marisol Escobar at a Factory party, 1965
  • Black and white photograph of Andy Warhol looking into a film camera and biting his nails
    Bob Adelman, Andy Warhol filming with movie camera at the Factory, 1965 (printed later)
  • Black and white photograph of Andy Warhol speaking on a rotary dial telephone
    Bob Adelman, Andy Warhol at the Factory, 1965 (printed later)
  • Bob Adelman, andy warhol at the factory, 1965 [printed later]
    Bob Adelman, andy warhol at the factory, 1965 [printed later]
  • Black and white photograph of Andy Warhol in a Breton striped shirt and sunglasses ascending a fire escape above a city street
    Bob Adelman, Andy Warhol on the fire escape of the Factory, 1965
  • Black and white photograph of Andy Warhol illuminated by light bulbs on both sides looking at the viewer
    Bob Adelman, Andy Warhol posing with the portrait lighting at the Factory, 1965 (printed later)
  • Black and white photograph of Andy Warhol in sunglasses standing in a foil-lined bathroom and looking at the viewer
    Bob Adelman, Andy Warhol in the silver-foil covered bathroom at the Factory, 1965
  • Bob Adelman, Andy Warhol in the silver Factory, 1965 [printed later]
    Bob Adelman, Andy Warhol in the silver Factory, 1965 [printed later]
  • Bob Adelman, Andy Warhol empties his boots after being pushed into the pool by Edie Sedgwick, Al Roon’s Gym, NYC, 1965 [printed later]
    Bob Adelman, Andy Warhol empties his boots after being pushed into the pool by Edie Sedgwick, Al Roon’s Gym, NYC, 1965 [printed later]
  • Bob Adelman, Sculptor Marisol Escobar looks at Bob Adelman, circa 1966
    Bob Adelman, Sculptor Marisol Escobar looks at Bob Adelman, circa 1966
  • Photograph of Tom Wesselmann behind a laser-cut steel sculpture of a woman
    Bob Adelman, Tom Wesselmann in his 54 Bond Street Studio in 1988 with the cut-out of “Bedroom Blonde with Necklace", 1988 (printed later)
  • Photograph of Tom Wesselmann standing between two separated parts of a large painting of a female nude
    Bob Adelman, Tom Wesselmann in his Studio, 1988 (printed later)
  • Photograph of Tom Wesselmann holding a steel laser-cut drawing of an outline of a female nude
    Bob Adelman, Tom Wesselmann with laser-cut “Steel Drawing / Monica Lying” in his studio at 231A Bowery, 1988 (printed later)
  • Black and white photograph of Tom Wesselmann standing with folded arms in front of a painting of a female nude
    Bob Adelman, Tom Wesselmann at Sidney Janis Gallery during his 1966 exhibition. In the background, artwork from the ‘Great American Nude’ series, 1966 (printed later)
  • Black and white photograph of Tom Wesselmann in profile holding and looking at a sculpture of an open mouth
    Bob Adelman, Tom Wesselmann in his studio at 54 Bond Street with artworks from the ‘Mouth’ series, which he exhibited in his 1966 exhibition at Sidney Janis Gallery, 1966
  • Black and white photograph of a female nude model with Tom Wesselmann leaning over a table and drawing her
    Bob Adelman, Tom Wesselmann with model Monica Serra in his studio at 54 Bond Street, c.1966 (printed later)
  • Photograph of Roy Lichtenstein posing in front of a brightly-colored (red, yellow, blue) painting of an interior scene
    Bob Adelman, Roy Lichtenstein demonstrating how to view the dancer in “Large Interior with Three Reflections”, 1993 (printed later)
  • Photograph of a Roy Lichtenstein standing in front of a blue and red painting of a hand with a paintbrush
    Bob Adelman, Roy Lichtenstein in front of "Brushstrokes" (1965), 1993 (printed later)
  • Photograph of a man in dark silhouette working on a blue, red, and yellow painting of a vehicle
    Bob Adelman, Roy Lichtenstein with the collage maquettes of the Time Square Mural, New York City, 1990 (printed later)
  • Photograph of Roy Lichtenstein on a ladder in front of a multicolored (yellow, red, white, black, blue) mural of figures ascending a staircase
    Bob Adelman, Roy Lichtenstein in front of “Bauhaus Stairway: Large Version,” a mural for I. M. Pei’s new building for the Creative Artists Agency, Inc, Los Angeles, 1989 (printed later)
  • Photograph of Roy Lichtenstein opening double doors painted yellow with white spots outlined with black
    Bob Adelman, Roy Lichtenstein with Untitled (Swiss Cheese Elevator Doors) (1986) at his 23rd street studio, NYC, 1980s (printed later)
  • Photograph of a hand with a paintbrush painting a red Ben-Day dot on a canvas filled with identical red dots, arranged equidistantly
    Bob Adelman, Roy Lichtenstein filling spots in the red Ben-Day dots with a tiny spotting brush, 1986 (printed later)
  • Photograph of Roy Lichtenstein in profile in front of a red, black, and white painting of a woman’s face
    Bob Adelman, Roy Lichtenstein in front of the Greene Street Mural, Leo Castelli Gallery (profile), 1983 (printed later)
  • Photograph of Roy Lichtenstein holding a large white isosceles triangular object standing in front of a yellow, black, and white geometric mural
    Bob Adelman, Roy Lichtenstein standing before “Perfect Painting #1” in his studio, 1985 (printed later)
  • Photograph of Roy Lichtenstein leaning against a white, yellow, black, and blue painting
    Bob Adelman, Roy Lichtenstein in front of the Greene Street Mural, Leo Castelli Gallery, 1983 (printed later)
  • Photograph of Roy Lichtenstein smiling in front of a large mural featuring a woman’s face and an array of household objects
    Bob Adelman, Roy Lichtenstein in front of the Greene Street Mural, Leo Castelli Gallery (overall), 1983 (printed later)
  • Photograph of Roy Lichtenstein sitting on a ladder in front of a multicolored mural of figures and geometric designs
    Bob Adelman, Roy Lichtenstein in front of his mural at the Tel Aviv Museum of Art, 1989 (printed later)
  • Photograph of Roy Lichtenstein, cropped at the shoulders, below a black sculpture of a head
    Bob Adelman, Roy Lichtenstein poses below his version of Constantin Brancusi’s Sleeping Muse in his New York apartment, 1983 (printed later)
  • Bob Adelman, James Rosenquist examining his work through a reductive lens, 1980 (printed later)
    Bob Adelman, James Rosenquist examining his work through a reductive lens, 1980 (printed later)
  • Photograph of James Rosenquist sweeping in front of a mural of a woman’s face and strips of bacon in a galactic scene
    Bob Adelman, James Rosenquist in his studio in front of the mural, “Star Thief”, 1981 (printed later)
  • Photograph of James Rosenquist sitting in an artist studio working on a large multicolored painting behind a table with pots of paint
    Bob Adelman, James Rosenquist in his studio working on the painting, "Fahrenheit 1982 Degrees." In the background, "Four New Clear Women.", 1981 (printed later)
  • Photograph of James Rosenquist holding a large shaped painting of a man’s face with sunglasses in front of his torso and head
    Bob Adelman, James Rosenquist in his studio with the painting, "Big Bo”, 1981 (printed later)
  • Black and white photograph of James Rosenquist standing next to a large shaped painting of a man’s head with sunglasses
    Bob Adelman, James Rosenquist in his studio with the painting, "Big Bo”, c.1980s (printed later)
  • Photograph of James Rosenquist working on a large red and blue painting next to a table with pots of paint
    Bob Adelman, James Rosenquist in his studio, working on the painting, "Fahrenheit 1982 Degrees", 1981 (printed later)
Installation Views
  • Installation view of 2018 exhibition Bob Adelman: New York Artists at Westwood Gallery NYC
    Bob Adelman: New York Artists | Installation View
  • Installation view of 2018 exhibition Bob Adelman: New York Artists at Westwood Gallery NYC
    Bob Adelman: New York Artists | Installation View
  • Installation view of 2018 exhibition Bob Adelman: New York Artists at Westwood Gallery NYC
    Bob Adelman: New York Artists | Installation View
  • Installation view of 2018 exhibition Bob Adelman: New York Artists at Westwood Gallery NYC
    Bob Adelman: New York Artists | Installation View
  • Installation view of 2018 exhibition Bob Adelman: New York Artists at Westwood Gallery NYC
    Bob Adelman: New York Artists | Installation View
  • Installation view of 2018 exhibition Bob Adelman: New York Artists at Westwood Gallery NYC
    Bob Adelman: New York Artists | Installation View
  • Installation view of 2018 exhibition Bob Adelman: New York Artists at Westwood Gallery NYC
    Bob Adelman: New York Artists | Installation View
  • Installation view of 2018 exhibition Bob Adelman: New York Artists at Westwood Gallery NYC
    Bob Adelman: New York Artists | Installation View
  • Installation view of 2018 exhibition Bob Adelman: New York Artists at Westwood Gallery NYC
    Bob Adelman: New York Artists | Installation View
  • Installation view of 2018 exhibition Bob Adelman: New York Artists at Westwood Gallery NYC
    Bob Adelman: New York Artists | Installation View
  • Installation view of 2018 exhibition Bob Adelman: New York Artists at Westwood Gallery NYC
    Bob Adelman: New York Artists | Installation View
  • Installation view of 2018 exhibition Bob Adelman: New York Artists at Westwood Gallery NYC
    Bob Adelman: New York Artists | Installation View
Press release

WESTWOOD GALLERY NYC presented a premiere New York City exhibition of photographs by Bob Adelman and curated by James Cavello. The exhibition highlights forty photographs of four influential artists who changed 20th century art, whom Adelman began photographing in the 1960s: Andy Warhol, Roy Lichtenstein, James Rosenquist, and Tom Wesselmann. This is the first New York exhibition of the photographs, in keeping with the gallery program of focusing on undiscovered bodies of work. The Estate of Mr. Adelman includes a very limited selection of signed prints, and the gallery is pleased to provide this exclusive opportunity for collectors.

​

Bob Adelman was compelled to photograph New York artists in the 1960s when he became interested in understanding the inner workings of the creative mind. The photographs on view provide an intimate, sometimes playful view of legendary artists and Adelman’s own ingenious sense in capturing their persona in the studio. They include scenes from Andy Warhol’s daily life at the Factory: Warhol on the infamous red couch, shopping at a nearby Gristedes for Brillo Boxes and Campbell Soup cans, socializing with his glamorous inner-circle at parties, filming, and posing with his flower paintings as well as the ‘The American Man’ suite. The photographs of Roy Lichtenstein span several decades and document the artist in his studio with his paintings and completing his iconic murals, such as: the fleeting 1963 “Greene Street Mural,” the permanent 1989 “Tel Aviv Museum of Art Mural,” and the collage for “Times Square Mural”. James Rosenquist is documented with his paintings and murals, showing a completed “Big Bo” and the stages toward his 1980 “Star Thief” mural. Rosenquist is also captured in an iconic image: looking through a magnifying glass into Adelman’s camera. The photographs of Tom Wesselmann in 1966 portray his early years and illustrate the beginning of his career-defining artwork in his first studio at 54 Bond Street, as well as in Sidney Janis Gallery. Other photos of Wesselmann, 20 years later, depict the artist holding a steel-cut nude outline of his long-time model and studio assistant, Monica Serra, in 1988 at his later studio at 231 Bowery.

 

During Adelman’s time in New York, his portfolio matured to document over fifty years of prominent and pioneering New York artists. This vast archive includes photographs of Larry Rivers, Donald Judd, Jasper Johns, Marisol Escobar, Red Grooms, Jeff Koons, Adolph Gottlieb, Barnett Newman, Robert Rauschenberg, Dick Bellamy, Lucas Samaras, Jim Dine, and David Hockney as well as influential art dealers who shifted the perception of how to sell art, such as Leo Castelli.

​

As his friend and mentor Ralph Ellison stated, “Adelman has moved beyond the familiar clichés of most documentary photography into that rare sphere wherein technical ability and social vision combine to create a work of art.”

 

An internationally-recognized photojournalist, Bob Adelman worked for LIFE, The New York Times Magazine, Newsweek, TIME, Esquire, Vanity Fair, London's Sunday Times Magazine, Paris Match, and other major publications. He was a Guggenheim Fellow and National Endowment for the Arts Grantee. He is primarily known for his photographs of the Civil Rights Movement in the 1960s, when he volunteered his services as a photographer to the Congress of Racial Equality and captured the transformative events that re-shaped modern American history. Adelman’s images were exhibited worldwide during his lifetime, in institutions including: Museum of Modern Art, the Smithsonian, Getty Museum, High Museum, The Nelson-Atkins Museum, Boca Raton Museum of Art, Tate Modern, and many others. Acquired by the Library of Congress in 2017, the Adelman archive is regarded as the foremost documentation of crucial periods in modern US history.

Press
  • Bob Adelman: New York Artists at Westwood Gallery NYC

    Musee Magazine, 13 Feb 2018
  • NYC Gallery Scene - Highlights Through January 21, 2018

    Genevieve Kotz, Hamptons Art Hub, 16 Jan 2018

Related artist

  • Click to view information about photographer Bob Adelman

    Bob Adelman

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